Marcus Berkmann’s Berkmann’s Pop Miscellany is out in June.
So which pop radio station do you listen to? It’s a question people who run pop radio stations often feel compelled to ask, without really wanting to hear the answer. So which pop radio station do you listen to? It’s a question people who run pop radio stations often feel compelled to ask, without really
It must be 20 years since Spectator readers first encountered the name Theodore Dalrymple. It’s not his real name, of course. Several times over the years people have told me of his true identity, which I have always instantly forgotten, presumably because I don’t really want to know it. Far more appropriate that Dalrymple should
In the course of a long listening career, records tend to come and go. I look back at old columns and marvel at the enthusiasm I once felt for records I no longer remember owning, let alone enjoying. Some records come and go and come back again, of course, and a few stay for ever:
Personally, I felt inclined to blame it on the boogie. Sunshine, no. Moonlight, definitely not. Good times, maybe to some extent. But boogie, for certain. On Facebook, my friend Nathan was wondering which tabloid would be the first to use the headline ‘The King of Pop-ped his clogs’. Soon the jokes were flowing. What’s the
Even music isn’t immortal. Even music isn’t immortal. For each of us, a little bit dies every day. I was in the pub with my friend Bob when on the jukebox came ‘Please Please Me’. You couldn’t ignore it: this pub operates its jukebox at full Spinal Tap volume to deter the uncommitted. ‘I love
Some say that pop music has nowhere else to go, but they are wrong: there is still extreme old age to negotiate. This week the American singer-songwriter, activist and folk evangelist Pete Seeger is 90 years old. Fifteen years ago, when he was 75, I’m not sure anyone was paying much attention. Folk music had
‘All critics are failed writers,’ someone with a New Zealand accent said on Desert Island Discs the other day. ‘All critics are failed writers,’ someone with a New Zealand accent said on Desert Island Discs the other day. Obviously I have completely blanked out who it was, but I do know she was talking out
There really should be a technical term for it: the compulsion to buy an album when you know beforehand that you aren’t going to like it. There really should be a technical term for it: the compulsion to buy an album when you know beforehand that you aren’t going to like it. In 2005, Paul
January was a fierce month for celebrity life expectancy, especially if you are in your late forties and feel you grew up with these people. John Updike. Bill Frindall. Patrick McGoohan (‘I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered’). Ricardo Montalban (‘from Hell’s heart I stab at thee; for hate’s sake,
Memoirs? No one writes them any more. If you wish to distinguish yourself from the sweaty masses, you are far better off publishing a diary, or notebook, call it what you will (Frederic Raphael naturally calls it a cahier). To publish one, of course, you need to have written one, ideally some years ago, full
And so to the records of the year. I usually do this piece in December, but as all sensible shoppers know that’s the worst month in the year to buy anything for yourself — particularly music, in what is very much a buyer’s market. Amazon’s prices, normally comfortingly low, lurch up into realms of profitability
It all started earlier this year, when my friend Chris managed to get four tickets for the first Leonard Cohen concerts at the O2. ‘There’s one for you if you want it,’ he said. Well, obviously I wanted it, but cash was a little short at the time — in fact, not so much short
No one quite believes it, but the new Guns N’ Roses album is finally coming out. Axl Rose has been working on it for 17 years, demonstrating, as rarely before, the fine line between perfectionism and padded cell. It is a reminder, though, that in these busy times quite a few acts have gone missing
A musician friend of mine acquired his first iPod recently, and like small boys who don’t realise that everyone else went through this about five years ago, he and I frequently discuss our battles with the things. A musician friend of mine acquired his first iPod recently, and like small boys who don’t realise that
Fandom can be a lonely place. If you love a band, truly love a band with that slightly teenage desperation you hope never to grow out of (until they make a substandard record and you abandon them forever), it’s a love affair like no other. Other fans may love the same band, but they love
Bits of Me are Falling Apart by William Leith Some years ago, a young scribbler named William Leith began a column for the Independent on Sunday that divided opinion among readers and, indeed, other young scribblers like me. Instead of writing about the world outside, as columnists had previously felt obliged to, he wrote about
Marcus Berkmann on Travis Elborough’s nostalgia for LP records There’s a rather wonderful new book out by a man named Travis Elborough, which sounds a bit like one of those dead Dorset villages where every second house is a holiday rental. Mr Elborough’s previous book was a great thundering roar of nostalgia for the Routemaster bus,
Marcus Berkmann on Michael Jackson It seems hard to believe, but on 29 August Michael Jackson will be 50 years old. Maybe fortunately in this case, the music industry doesn’t really go a bundle on 50th birthdays: I believe there’s another half-hearted greatest hits coming out, but that’s about it. How will Jacko celebrate? I think
It’s tough out there in the crazy world of pop. Two years ago The Feeling were the most played act on British radio. Their debut album, Twelve Stops and Home — almost certainly the only album in history to be named after a late-night Tube journey from Leicester Square to Bounds Green — sold 1.5
As in real life, it’s considered faintly reprehensible in music to have a sweet tooth. Greens are good for you, and so is The Velvet Underground, but right now I’m thinking about going up to the shop at the end of the road and buying a packet of Maltesers, having just listened to a Take