Mark Glazebrook

Degas Revealed

Once upon a time, before masterpieces cost millions, a museum director could win a modicum of immortality just with his acquisitions policy. Even now, the Metropolitan Museum, New York, has just paid $45 million for a Duccio. Usually, however, in the absence of Napoleon’s sword or Paul Getty’s bank balance, a public gallery director is

Welcome escape

Out of a cardboard box on the exhibition poster which heralds Christmas and welcomes visitors at the gates guarding the soothing lawns of the Dulwich Picture Gallery springs a typically Quentin Blake ensemble. There are two children, three dotty adults, one of them wearing ‘specs’, and a big dog. At the top of the poster,

Intimate insight

And did those feet in ancient timesWalk upon London’s suburbs green?And was a canvas full of sunOn England’s pleasant pastures seen?And did Pissarro’s light divineShine forth upon our clouded hills?And was IMPRESSIONISM builded hereAmong these dark Satanic mills? Well, up to a point, yes, if Camille and his son Lucien may be merged and those

Giorgione’s artistic poetry

Mark Glazebrook on a magnificent exhibition of work by ‘Big George’ in Vienna Giorgione! A name to conjure with. Other names such as Vasari, Byron and Walter Pater have conjured with the Zorzi, Zorzo or Zorzon of contemporary documents, the exceptionally talented painter who died in his early thirties in 1510, the legendary Big George,

Chaos in Venice

A couple of vaporetto stops in the direction of the Lido, from near Piazza San Marco – fortified, perhaps, by a cold glass of wine and some lively light music from the immaculately dressed band outside Florians – and you are in the merciful shade of the public gardens, where some of the national pavilions

Hockney’s controversial experiment

The last David Hockney show at Annely Juda Fine Art was in the summer of 1997. It was a large show of oils on canvas with the alliterative and rhyming title Flowers, Faces and Spaces. In one prominent, large painting called ‘Sunflowers’ no fewer than five different blue, purple or green vases containing these fiery

‘When artists were just tolerated’

In San Francisco in the late 1970s you could cover the entire modern art gallery scene, both commercial galleries and temporary exhibitions in museums or other public institutions, between a leisurely Saturday breakfast in Sausalito on the far side of Golden Gate Bridge – eggs Benedict and coffee perhaps – and a late lunch in