Michael Hann

The problem with livestreaming heavy metal? No moshpits

There was only so long anyone could put up with the live musical performances of the early days of lockdown: musicians in their living rooms, performing stripped-back versions of their songs in broadcasts that froze or stuttered. The time would come, inevitably, when everyone wanted more. Viewers would want something more closely approximating a full

The power of cheap music: pop podcast round-up

Noël Coward was so right that his words have become a cliché: it is indeed extraordinary how potent cheap music can be. Its potency, however, is not innate. Amanda Prynne, from Coward’s Private Lives, would not have been especially struck by ‘Some day I’ll Find You’ had it been playing on a wireless in a

Joyous and very, very funny: Beastie Boys Story reviewed

The music of the Beastie Boys was entirely an expression of their personalities, a chance to delightedly splurge out on to record everything that amused them. And early on, in their teens-get-drunk debut album, Licensed To Ill, that resulted in obnoxiousness. But mostly they were kinetic and colourful, which is why the new Apple TV+

The magic of Bryan Ferry

The accepted line about Bryan Ferry is that his is one of the greatest reinventions in English pop culture: Peter York said, in 1976, that his life was ‘the best possible example of the ultimate art-directed existence’. But watching him at the Albert Hall, I couldn’t help thinking of my father. That’s not to diminish

You have to be a terrific snob not to see the appeal of Slipknot

Every development in heavy music is derided by mainstream critics. When Black Sabbath and Led Zeppelin emerged in the late 1960s, they were sneered at for their lumpen, troglodyte stupidity. A decade on, AC/DC were reviled for precisely the same reasons. When Metallica and Slayer helped lead the thrash metal movement in the mid-1980s, it

Mick Hucknall on women, rejection and cultural appropriation

What makes someone become a pop star? Sometimes, it’s true, pop stardom arrives by accident, and its recipient responds not with joy, but horror. More often, though, pop stardom is sought, sometimes to make up for things that are missing in life, and the newly minted star embraces all the benefits fame brings, until those