Peter Phillips

In times of trouble

This year is the 500th anniversary of the death of Tomás Luis de Victoria, whose work, as I have written before, I consider to be the most moving High Renaissance music there is. This year is the 500th anniversary of the death of Tomás Luis de Victoria, whose work, as I have written before, I

Happy anniversaries

There has been much to celebrate in Barcelona this week for musicians of a certain bent. The Medieval and Renaissance Music Society held its annual international conference there, which gave the delegates the opportunity to celebrate the musicologist Bruno Turner’s 80th birthday, as well as the 20th anniversary of the foundation of Musica Reservata Barcelona

Talented exports

If the atmosphere in Tokyo at the moment is relatively radiation-free — it is said to be less than in the cabin of the aircraft which flew us here — the mood among the local population is one of getting on with life. If the atmosphere in Tokyo at the moment is relatively radiation-free —

Moving with the times

It is inevitable that a festival the size of the Proms should become a showcase not just for the artists taking part, but also for the way classical music is perceived more generally. There would be no point in a public services’ provider such as the BBC launching such an enterprise every year if it

Marathon man

It rapidly became inevitable that my annual trip to Fukushima would be cancelled: I was due to go less than a week after the earthquake. No explanations were asked for and none was given. After all, every contract I have ever signed has included a standard clause about force majeure — it is always taken

The power of now

Whatever lay behind Radio 3’s decision four years ago to reduce the number of live concert broadcasts to a mere handful, it cannot have been the recent phenomenal success of ‘live’ relays from the Met in New York to local cinemas. Whatever lay behind Radio 3’s decision four years ago to reduce the number of

Massed voices

The news that Decca will release a recording of Striggio’s colossal Missa Ecco sì beato giorno on 7 March promises an oxymoronic treat for some of us. The news that Decca will release a recording of Striggio’s colossal Missa Ecco sì beato giorno on 7 March promises an oxymoronic treat for some of us. There

Timeless miracle

Dotting through the list of composers’ anniversaries in 2011, I was struck both by the number of people mentioned and by the utter lack of fame of almost all of them. Dotting through the list of composers’ anniversaries in 2011, I was struck both by the number of people mentioned and by the utter lack

Arts administration: Questions of privilege

The rights and wrongs of internships for those who are seeking a first job have been hotly debated in the press recently, and nowhere more so than with reference to young people who hope to make a career in arts and music administration. But the principles remain the same whatever the discipline: is it legal

Rare voices

The Church of England is not known for being tirelessly dogmatic in the face of shifting public opinion, just for being buffeted by it. One such shift in recent years has been how acceptable women are in the scheme of official worship. Clearly, the time of equal rights for women is upon us, yet the

Healthy competition

The 2010 Gramophone Awards took me by surprise the other day — quite possibly because I took no interest in the 2009 Awards and therefore may have missed out on a trend. The 2010 Gramophone Awards took me by surprise the other day — quite possibly because I took no interest in the 2009 Awards

Reasons to be cheerful

It was being whispered last week at the first of the two Berlin Philharmonic appearances at the Proms that attendance across the board this year has been 94 per cent. If this is true, and is maintained to the end, it is a staggering achievement. Every year for the past 15 or so, the press

National treasure

Chopin is a difficult composer to celebrate, at least in the festivals of larger format. Countless piano recitals don’t really fit the bill and the music which includes orchestra is not the best of him. He surely was a miniaturist — perhaps the most compelling there has ever been. Which other composer can set a

Going for a song

It’s Proms time again. Peter Phillips is struck by the imbalance between singers and players What with all the talk of cuts, and the Proms being a showcase for the BBC house ensembles, I imagine this year’s season might be a time for each to put their best foot forward. I imagine, in fact, that

Lesson from Venezuela

The idea that one can take guns and syringes out of the hands of disaffected youths and replace them with musical instruments, which they then delight to play, is so utopian that most people’s reaction was to laugh it off. The idea that one can take guns and syringes out of the hands of disaffected

Speech impediment

The demise of French as a useful way of communicating with the wider world has been one of the features of my years as a travelling musician. I can recall many conversations around Europe, the southern Mediterranean and Russia that would not have taken place 30 years ago if I and the local people had

Sound effects | 17 April 2010

The Tallis Scholars’ 50th concert in New York City — the first was in 1988 — took place in St Bartholomew’s Church, Park Avenue, on 26 March. The Tallis Scholars’ 50th concert in New York City — the first was in 1988 — took place in St Bartholomew’s Church, Park Avenue, on 26 March. Since

Prize lottery

News that the archivist of the Booker Prize, Peter Straus, has discovered that in 1970 the prize was not awarded for technical reasons set me thinking about annual music prizes. This thinking was in no way discouraged by an aside, made by Matt Damon at the recent Oscar ceremony, to the effect that it would

Hints of the numinous

There is something about the music of Arvo Pärt which does not sit well with Italian fascist architecture. There is something about the music of Arvo Pärt which does not sit well with Italian fascist architecture. Perhaps I am oversensitive, but vast stone lions and super-size friezes depicting epic battles conflict with Holy Minimalism in

The first Romantic

Peter Phillips on the life and times of Chopin, who was born 200 years ago The year 1810 may seem a little late to look for the beginning of the Romantic movement in music, but with the births of Chopin, Schumann and S.S. Wesley one could make a case. Think of the difference in the