In October 1964, Charles de Gaulle visited Brazil. The country was six months into its military dictatorship. In April of that year, there had been a relatively bloodless coup against the sitting president, João Goulart, who one morning found a tank pointing its muzzle at his residence in Rio. The ensuing military regime lasted for
I must be an idiot for pointing out the failings of a novel that’s so screamingly, self-denouncingly about failure. Steve Toltz’s Quicksand is a nutty, occasionally hilarious, flaccid carrier bag of a comic romp, all dazzling one-liners and no comic paydirt. Like his debut novel, A Fraction of the Whole (about a misfit philosopher and
Miranda July is a funny and brilliant film director, performance artist, sculptor and smartphone app designer. In 2005, she won the Best First Feature award at Cannes for her debut film, Me and You and Everyone We Know. Two years later, she picked up the Frank O’Connor short story award for her debut collection No
Following his beginnings as a science-fiction horror director, David Cronenberg has spent the past decades transforming himself into one of cinema’s most literary filmmakers. He has adapted for the screen — often brilliantly — novels by J.G. Ballard, William Burroughs and Don DeLillo. In each, he has paraded his obsession with lurid mutations in human
Remember when the Man Booker prize was as reputable as the Queen? When it served as the nation’s literary oracle? When nobody thought about doubting its authority because its juries were, well, made up of clever, well-read people who knew what was crap and what wasn’t and so dependably sifted out, every year, the best
Reincarnation has hovered over David Mitchell’s novels since the birth of his remarkable career. His haunting debut novel, Ghostwritten (1999), featured a disembodied spirit that wandered around making itself at home in other people’s souls. Transmigration spread throughout that book — the lives of its characters intertwined in brilliantly intricate ways — and has continued
