Sam Leith is literary editor of The Spectator.
In this week’s Book Club podcast, we’re talking about the life and loves of the greatest poet of the twentieth century. Professor John Haffenden joins me to discuss the impact of the opening of an archive of more than 1,000 of Eliot’s letters to Emily Hale — his Harvard sweetheart and the woman who for
James Ellroy is occasionally quoted as saying he’s the greatest American crime novelist ever. The man sometimes called the ‘demon dog of American letters’ has no hesitation in affirming it when he arrives in The Spectator’s London offices to record a podcast. ‘Oh yes, I think that’s been proven,’ he says matter-of-factly. Has he always
In this week’s Book Club podcast, I talk to the ‘demon dog’ of American letters, James Ellroy — whose latest book is This Storm. In a wide-ranging and somewhat NSFW conversation, we talk about misquoting Auden, why Ellroy hates Orson Welles, how he maps out the byzantine plots of his novels, why as a recovering
What’s a hero? There are probably at least two answers to that. One is that heroism is a moral quality: to do with courage above all but, in its wider connotations, to do with altruism or protectiveness and self-sacrifice. The answer that probably precedes that one, though, is a more technical, narratological one: the hero
In this week’s Book Club podcast, my guest is the children’s writer Piers Torday, author of the Last Wild trilogy and, most recently, The Frozen Sea. Why is winter such a powerful thing in children’s writing? How come children’s books are such a booming publishing sector when so many people thought that screens would all but
‘Clive James Stirs.’ That was the standard subject line for the emails I used to get from the great Australian polymath. I liked it. It cast him, I thought, as a sort of barnacled kraken — still hanging in there, occasionally roused to action. He was usually submitting a new poem. For a while, after
In this week’s Book Club, my guest is the historian Tom Holland, author of the new book Dominion: The Making of the Western Mind. The book, though as Tom remarks, you might not know it from the cover, is essentially a history of Christianity — and an account of the myriad ways, many of them
When most rock stars have trouble sleeping, they fall back on Valium, temazepam, heroin or Jack Daniel’s. But Pete Townshend, guitarist and songwriter for The Who and — we’re pleased to discover — Spectator subscriber, isn’t much like most rock stars. Sober now for three decades, he calls instead on his wife Rachel’s psychic powers.
My guest in this week’s Book Club is the rock musician, writer and sometime Faber editor Pete Townshend. Pete has just published his first novel The Age of Anxiety, an ambitious work jointly conceived as an opera. We talk about madness and creativity, Who lyrics popping up in the fiction, how he settled on an
Clive James is gone. What a great spirit, what a lively and curious mind, what an instinct for laughter we’ve lost. I had the chance to talk to him in 2017 at his home in Cambridge about poetry, fame, late style, discovering Browning, being silly and serious, watching box sets, facing the end, and why he
I’m joined from beyond the grave on this week’s Spectator Book Club by the late Laurie Lee — to talk about Gloucestershire’s Slad Valley, the landscape that made him as a writer. Acting as medium, so to speak, is David Parker — whose 1990s interviews with Lee before his death provide the material for the
I have a shameful secret. I’ve been watching these… videos online. Amazing what you can get in a couple of clicks these days. Being what the Corbynistas deride as a Centrist Dad, I have taken to seeking out short films of taboo figures like Tony Blair and Barack Obama, talking about current affairs and being
I have a shameful secret. I’ve been watching these… videos online. Amazing what you can get in a couple of clicks these days. Being what the Corbynistas deride as a Centrist Dad, I have taken to seeking out short films of taboo figures like Tony Blair and Barack Obama, talking about current affairs and being
In this week’s Spectator Book Club, my guest is Christopher Tugendhat, whose new book offers a refreshing and thought-provoking survey of twentieth-century history; not through wars and treaties and policies, but through the pages of the books from his extensive private library. In A History of Britain Through Books: 1900-1964, Christopher argues that we can
For this week’s books podcast, I’m joined by Daniel Markovits, the Guido Calabresi Professor of Law at Yale Law School. In his new book The Meritocracy Trap Daniel advances an argument that will seem startling to partisans of Left and Right alike: that meritocracy isn’t the solution to our social and political discontents, but the central
In this week’s Spectator Books, I’m talking to the award-winning historian Thomas Penn about his new book The Brothers York: An English Tragedy — in which he argues that the ‘Wars of the Roses’ weren’t determined by a struggle between the houses of York and Lancaster so much as by the catastrophic white-on-white conflict that cause
This week the Books Podcast leaves its dank burrow and hits the road. I travelled to the southern Peloponnese to catch up with the Orange-prize winning novelist Madeline Miller, where she was hosting a reading weekend at the Costa Navarino resort. Madeline’s first novel, The Song of Achilles, retold the Iliad from Patroclus’s point of
My guest in this week’s Spectator Books is Peter Pomerantsev. Peter lived in Moscow for a decade as a TV producer, and chronicled the metastasis in that country of ‘post-truth politics’ in his bestselling Nothing Is True and Everything Is Possible. His fascinating and dismaying new book, This Is Not Propaganda: Adventures in the War
In this week’s Spectator Books podcast my guest is Jung Chang — whose latest book is the gripping story of three sisters whose political differences put the Mitford even the Johnson clans in perspective. In Big Sister, Little Sister, Red Sister, Jung narrates the lives of the Soong Girls — one of whom was married to
When I was an English literature undergraduate, we were all very careful to avoid what used to be called the ‘intentional fallacy’. This is the idea that you can use a text to get at what the author ‘really meant’. The so-called New Critics said, quite reasonably, that the text is all you’ve got to
