Sam Leith

Sam Leith

Sam Leith is literary editor of The Spectator.

Books Podcast: how does the world look through a different language?

My guest on this week’s books podcast is the Pulitzer-Prize-winning writer Jhumpa Lahiri. Someone whose own fiction has negotiated the cross-cultural territory of her Bengali-American identity, Jhumpa in the last few years has been negotiating a new crossing of cultures after settling in Rome with her family and starting to write fiction and memoir in

Books Podcast: the life of Richard Sorge, Stalin’s master spy

In this week’s books podcast I’m joined by Owen Matthews to talk about the man many have claimed was the greatest spy of the 20th century, Richard Sorge, the subject of Owen’s riveting new book An Impeccable Spy (reviewed in the new issue of The Spectator by Nicholas Shakespeare). Sorge (he’s pronounced ‘zorgey’, by the way

Life at the Globe | 7 March 2019

    IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON Last time in this space we were talking about Harry Hotspur’s role as a shadow-self for Prince Hal in Henry IV, Part One. But nor, of course, can we ignore the other pole around which the play swings: the sack-swilling anti-Santa

The Books Podcast: love, death, and loss with Max Porter

In this week’s books podcast I’m talking to Max Porter, former publisher at Granta and author of the prizewinning debut Grief Is The Thing With Feathers, about his brilliant new novel Lanny (reviewed by Andrew Motion here). He asks: why are we used to novels having 15 page boring bits? What does the Green Man

Why I game

By day, I’m a mild-mannered book-world hanger-on; by night, I roar through the streets of Gotham in my heavily armed Batmobile, soar above it on the outstretched wings of my cape, and swoop down to bash multiple armed thugs into unconsciousness with a crunching series of ‘Fear Takedowns’. No, I know. When you write it

Sam Leith

Getting off on Scott Free

Mister Miracle is, on the face of it, one of the cheesiest of all costumed super-heroes. Created by Jack Kirby in 1971, he’s a gaudily dressed glint from the last gleaming of the Silver Age. Like the fictional ‘Escapist’ created by Michael Chabon in his Kirby-drenched Kavalier and Clay, Scott Free is part superhero and

Spectator Books: how angels have changed through history

In this week’s Spectator Books I’m talking to Peter Stanford, author of Angels: A Visible and Invisible History. Why is it that, according to some polls, more people believe in angels than believe in God? Peter takes us on a tour through history, theology and literature to find how the winged cherubs on our Christmas

Life at the Globe | 21 February 2019

IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON We’ve been looking at various aspects of Richard II, which has just opened at Shakespeare’s Globe. Now to turn our attention a little further into the future. Richard II was only the opener for the remarkable run of history plays that are the

Only connect | 14 February 2019

At the time of his death in 1900, John Ruskin was, according to Andrew Hill, ‘perhaps the most famous living Victorian apart from Queen Victoria herself’. He was a landmark — more or less literally. You could visit Brantwood, where he had his Lake District home in later life, and buy postcards of him. There

Books Podcast: how has Royal reporting changed since Diana?

In this week’s books podcast I’m joined from Los Angeles by Andrew Morton — the Royal writer who scooped the world with the inside story of Princess Diana’s marriage. To coincide with the publication of a revised and expanded edition of Diana, Her True Story — including new material recovered from the tapes they smuggled

Sam Leith

Life at the Globe | 7 February 2019

    IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON Though the new production of Richard II we’ve been discussing here is taking place at the Globe, it’s perhaps worth remembering that the original didn’t. The play precedes the building of the first theatre by half a decade or so. It

Books Podcast: is it time to stop working?

In this week’s books podcast I’m joined by Josh Cohen, author of the Not Working: Why We Have To Stop (reviewed here by Houman Barekat). Josh is a literary critic and a working psychoanalyst, and his book is a thoughtful and subtle discussion of the way in which work dominates not only our lives and identities

Life at the Globe | 24 January 2019

    IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON I quoted last week that rather Brexit-flavoured passage from John of Gaunt’s deathbed speech in Richard II — noting how it chimed with the times. I didn’t mention that the Globe’s forthcoming production, opening at the Sam Wanamaker Playhouse on 22

Books Podcast: what modern Bibles get wrong

In this week’s books podcast, my guest is Robert Alter – who has just published the fruits of decades of labour in the form of his complete new translation of the Hebrew Bible into English. Acclaimed for his Bible translations by Seamus Heaney, John Updike and Peter Ackroyd, Prof Alter tells me how Biblical Hebrew

Sam Leith

Life at the Globe | 17 January 2019

    IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON One of the things about Shakespeare that always makes you marvel is how insistently he speaks to the present moment — any present moment you choose. Academic literary critics wince when you start bandying around phrases like ‘eternal truths’, so let’s

Life at the Globe

  IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE The Globe was the occasion of drama before the first line was even spoken from its stage. In the snowy winter of 1598, three days after Christmas, Shakespeare and his colleague Burbage resolved a falling-out with the landlord of their then Shoreditch theatre in the

Books Podcast: Jonathan Ames – from memoirs to graphic novels

In this week’s book’s podcast my guest is Jonathan Ames, a writer who has produced everything from memoir (Adventures of a Mildly Perverted Young Writer) to TV writing (Bored To Death), graphic novels (The Alcoholic), pitch-black noir (You Were Never Really Here), Wodehouse hommage (Wake Up, Sir!) and now, in The Extra Man, a comic