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Sam Leith

Sam Leith

Sam Leith is literary editor of The Spectator.

Books podcast: Andrew Solomon’s Far & Away

In this week’s Spectator podcast I talk to Andrew Solomon. Though he’s best known for his work on depression (The Noonday Demon) and identity (Far From the Tree, which I reviewed here), his new book looks not inward but out. Far & Away: How Travel Can Change The World collects essays from three decades of

Books podcast: What’s the point of the Man Booker Prize?

In this week’s Spectator Books podcast, we’re talking about tomorrow night’s big announcement: the 2016 Man Booker Prize. This year’s prize — like every year’s, it seems — has caused controversy. What is the prize for? Is it good for the literary culture? And how does the shortlist stand up? Paul Beatty (US) – The

Books podcast: Hisham Matar’s The Return

In the latest Spectator Books podcast, I talk to Hisham Matar — newly shortlisted for the UK’s most prestigious non-fiction prize, the Baillie Gifford — about his new book The Return: Fathers, Sons and the Land In Between. When Hisham was 19, his Libyan dissident father was abducted from exile by the Gadaffi regime and

Books podcast: The Masculinity Problem

We hear a lot about a “crisis of masculinity” these days, but nobody seems to be in agreement about what it consists of. On the one hand, we hear of “rape culture”, absent fathers and everyday sexism; on the other, complaints of the feminisation of society, political correctness and the disappearance of traditional male role-models.

The Spectator launches new books podcast

Today we’re proud to launch the Spectator’s Books Podcast, a literary younger sibling of our popular weekly podcast on politics and current affairs. Each week I’ll be hosting a discussion about the most interesting recent books and the literary talking-points of the day. Books contain every subject known to man – and rather than focusing

A few good books

It is a truth universally acknowledged that whenever ITV or the BBC decides — the latter usually with charter renewal in the near or middle distance — that it needs to make some of that World-Class Drama it’s so proud of, its thoughts turn to regency frocks, scruffy urchins, pea-soupy London, agreeable country houses and

Sam Leith

Smashing stuff

‘Joe lay in bed in his mother’s house. He thought about committing suicide. Such thinking was like a metronome for him. Always present, always ticking.’ Life is always cheap in noir fiction — but it takes it that step further when the protagonist’s homicidal impulses extend to himself. The hero of this fast-moving, agreeably violent

Cervantes the seer

William Egginton opens his book with a novelistic reimagining: here’s Miguel de Cervantes, a toothless old geezer of nearly 60, on his way to the printers with his new manuscript. On a hot August day in 1604, a man walked through the dusty streets of Valladolid, Spain, clutching in his right hand a heavy package.

Diary – 31 March 2016

I’d like this to have been one of those Spectator diaries that gives the ordinary reader a glimpse into the sort of party to which they’ll never be invited. Unfortunately, I’m never invited to those parties either; and even had I got the last-minute invitation to scoff Creme Eggs at Henry Kissinger’s Easter shindig, I’d

United Arab Emirates: Leaves in the desert

It’s not so much the volume of deals done in the agents’ enclosure, the number of exhibitors or the size of the conference hall it takes place in. It’s not even — though this can be a key indicator — that the local sex workers take the week off. Nope: you know your book fair

Ted Hughes’s estate squares up to poet’s unauthorised biographer

The row over Jonathan Bate’s unauthorised Life of Ted Hughes is hotting up. Professor Bate originally embarked on the book with the blessing of the Hughes estate, but that blessing – along with permission to quote from the poet’s writings – was withdrawn. Now the Hughes estate has issued a press release claiming to have

Theatre of politics

We don’t usually pay all that much attention, as James Shapiro points out, to the Jacobean Shakespeare. We’re in the habit of thinking of him as an Elizabethan playwright: look in most cradle-to-grave biographies for ‘what Shakespeare was doing after James came to the throne in 1603 and there usually aren’t many pages left to

A window on Chaucer’s cramped, scary, smelly world

Proust had his cork-lined bedroom; Emily Dickinson her Amherst hidey-hole; Mark Twain a gazebo with magnificent views of New York City. Where, then, did the father of English poetry do his work? From 1374 till 1386, while employed supervising the collection of wool-duties, Chaucer was billeted in a grace-and-favour bachelor pad in the tower directly