The Black Russian, by Vladimir Alexandrov – review
‘Unabashed luxury, elaborate displays of rich fabrics, gilt, soaring ceilings, glittering chandeliers…’ Thus does Vladimir Alexandrov describe what Moscow’s elite demanded of Maxim, the 1912 nightclub helmed by The Black Russian’s unlikely subject, the American Frederick Bruce Thomas. He was ‘the black man with a broad Russian nature’ who reinvented himself as celebrity nightclub impresario
