The Spectator

The French way of war

From ‘The Example of France’, The Spectator, 20 November 1915: France is an example to the world and to posterity of how a nation can bend itself to the work in hand, and labour with its whole body, its whole mind, and its whole soul. The more we know of the splendid details of this

Letters | 12 November 2015

The C of E should apologise Sir: Peter Hitchens’s article on the allegations against the late Bishop Bell is a welcome intervention in a sorry affair (‘Justice for Bishop Bell’, 7 November). If the best evidence against Bishop Bell was sufficient only to merit his arrest (were he alive), then the recent statements concerning him

Barometer | 12 November 2015

A marathon of cheats Russian athletes may be stripped of the medals they won at the 2012 Olympics, but what of the earliest-known drug-taker in the modern Olympics? Thomas Hicks won the 1904 marathon in St Louis after taking two doses of brandy laced with strychnine. —Hicks collapsed on the finishing line and had to

Pry another day

Were David Cameron in any way adept at spin, it would be tempting to think that the publication of the Investigatory Powers Bill had been deliberately timed so as to coincide with the opening of Spectre, the new James Bond film. The debate over the bill has turned into a question of whether we trust

From the archives: the liberty of the battlefield

From ‘Soldiers for the land’, The Spectator, 13 November 1915: It is certain that, when the war is over, tens of thousands of soldiers will not want to return to their former urban occupations. No man who has enjoyed the liberty of a greater world and a freer life will be reconciled easily to resuming his

Books of the Year: the best and most overrated of 2015

Anna Aslanyan   My top title of the year is Satin Island by Tom McCarthy (Cape, £16.99), convincing proof that the best writers of our time are anthropologists, and that James Joyce, were he alive today, would be working for Google. I also enjoyed Ben Lerner’s 10:04 (Granta, £14.99), a self-deconstructing novel whose metafictional plot