Painting

‘Todo Custo’, 2015, Caroline Achaintre

What’s the avant-garde up to? Recycling (itself) and baffling (me)

13 August 2016 9:00 am

One overcast afternoon in late July I took a train to Norfolk. It seemed a good time and place to…

‘Ash Wednesday: 7.00am’, 2004/5, by George Shaw

In defence of suburbia

6 August 2016 9:00 am

The suburbs fuel creativity, says Philip Hensher. So why do writers and artists look down on them?

‘Apple Blossoms’, 1873, by Charles-François Daubigny

The man who who invented impressionism

23 July 2016 9:00 am

The last boat I saw in the galleries on the Mound was a canoe that the Scottish painter Jock McFadyen…

‘The Deluge’, 1920, by Winifred Knights

Piero della Francesca meets Dalí: Winifred Knights at Dulwich Picture Gallery reviewed

9 July 2016 9:00 am

‘Hidden beauty is best (half seen), faces turned away.’ So noted a young English painter named Winifred Knights in 1924.…

‘Sausage Shop’, 1951, by Stanley Spencer

In our fondness for his roses we have cut off Stanley Spencer’s thorns

2 July 2016 9:00 am

In our fondness for his roses we have cut off Stanley Spencer’s thorns. It’s time to see beyond the wisteria blossom, says Laura Freeman

Birthday card from Frank Auerbach to Lucian Freud

You can tell a lot from the paintings painters owned, as this National Gallery show proves

25 June 2016 8:00 am

‘In the end, nothing goes with anything,’ Lucian Freud remarked one afternoon years ago. ‘It’s your taste that puts things…

Out of spirits: ‘Glory be to God’, c.1868, by Georgiana Houghton

A pioneering 19th-century abstract artist is brought back to life at the Courtauld

18 June 2016 9:00 am

Georgiana Houghton’s abstract ‘Spirit Drawings’ were way ahead of their time, says Simon Grant. No wonder the Victorians didn’t get her

‘Babel’, 2001, by Cildo Meireles

It’s time to split the Tate again

18 June 2016 9:00 am

In 1992 I wrote a column that was published under the headline ‘It’s Time to Split the Tate’. To my…

Author Margo Jefferson (Photo: Getty)

Slow radio at its best

18 June 2016 9:00 am

Three women, three writers, three very different life experiences. On Monday afternoon the artist Fiona Graham-Mackay introduced us to Imtiaz…

‘Oh god, ma tutto occupato’ (Ach herrje, ma tutto occupato), 2016, by Georg Baselitz

As he approaches 80, the German master Georg Baselitz contemplates the end

21 May 2016 9:00 am

‘In many ways,’ Georg Baselitz muses, ‘I behaved against the grain of the times I grew up in.’ The era…

Cartoon for St Luke, Chichester Cathedral Tapestry, 1965, by John Piper

The shimmering, restless, groovy fabrics of John Piper

21 May 2016 9:00 am

A story John Piper liked to tell — and the one most told about him — is of a morning…

Satirical diptych, 1520–1530, anonymous Flemish artist

This Parisian exhibition has rewritten the story of art

14 May 2016 9:00 am

Why do we put one work of art beside another? For the most part museums and galleries tend to stick…

‘Cassava with White Peacock Butterfly and young Golden Tegu’, 1702–3, by Maria Merian

The 17th century painter who hacked her way through Suriname in search of insects

7 May 2016 9:00 am

Maria Sibylla Merian was a game old bird of entrepreneurial bent, with an overwhelming obsession with insects. Born in Frankfurt…

‘The Haystack’, late April 1844, by William Fox Talbot

How a Liberal MP's inability to draw led him to invent photography

30 April 2016 9:00 am

William Henry Fox Talbot had many accomplishments. He was Liberal MP for Chippenham; at Cambridge he won a prize for…

‘Macbeth, Banquo and Witches on the Heath’, 1794, by Henry Fuseli

Why do some museums insist on playing piped music into exhibitions?

9 April 2016 9:00 am

There was a genteel brouhaha last year — leaders in the Times, letters to the Telegraph, tutting in the galleries…

Wooden model of a brewing and baking workshop, Egypt, c.2000 bc, Fitzwilliam Museum, Cambridge

Ancient Egypt’s obsession with death was in fact a preoccupation with life

2 April 2016 9:00 am

The Fitzwilliam Museum is marking its bicentenary with an exhibition that takes its title from Agatha Christie: Death on the…

‘La Vecchia’ (c.1506) by Giorgione

RA’s Giorgione show is so rich it’s worth returning to several times

19 March 2016 9:00 am

Walter Sickert was once shown a room full of paintings by a proud collector, who had purchased them on the…

'Group IX/SUW, No. 17. The Swan, No. 17' (1914-5) by Hilma af Klint

Is this female Swedish painter a major rediscovery - or a minor footnote?

12 March 2016 9:00 am

In 1896, a group of five young Swedish women artists began to meet regularly in order to access mystical zones…

‘Venus’, 1490s, by Sandro Botticelli

V&A's Botticelli Reimagined has too many desperate pretenders

5 March 2016 9:00 am

When Tom Birkin, hero of J.L. Carr’s novel A Month in the Country, wakes from sleeping in the sun, it…

'Visions of the Hereafter' by Hieronymus Bosch

Hell made fun – the joy of Hieronymus Bosch

27 February 2016 9:00 am

The 20th-century painter who called himself Balthus once proposed that a monograph about him should begin with the words ‘Balthus…

‘The Woodman’s Child’, 1860, by Arthur Hughes

Twee, treacly and tearful: Pre-Raphaelites at the Walker Art Gallery reviewed

27 February 2016 9:00 am

Dear, good, kind, sacrificing Little Nell. Here she is kneeling by a wayside pond, bonnet pushed back, shoes and stockings…

‘Madonna del Parto’ fresco in Monterchi by Piero della Francesca

On the trail of Piero della Francesca

27 February 2016 9:00 am

Piero della Francesca is today acknowledged as one of the foundational artists of the Renaissance. Aldous Huxley thought his ‘Resurrection’…

‘The upper part of the cascade at Hafod’ by John ‘Warwick’ Smith, 1793

How to view the view

20 February 2016 9:00 am

It’s not all picnics and cowslips. You need sense as well as sensibility to appreciate a landscape, says Mary Keen

‘Silent Treatment’ by Andrew Cranston

Part bijou Kiefer, part woozy Vuillard: the paintings of Andrew Cranston

20 February 2016 9:00 am

The ten vignettes that punctuate the white walls of the Ingleby Gallery invite us to step into the many-chambered mind…

‘Portrait of a Young Man’ by Giorgione

Renaissance master? Rascal? Thief? In search of Giorgione

13 February 2016 9:00 am

Question-marks over attribution are at the heart of a forthcoming Giorgione exhibition. Martin Gayford sifts through the evidence