Painting

‘Scenes of the Private and Public Life of the Animals’, 1842, by J.J. Grandville

An entertaining show at Marian Goodman Gallery – where the joke’s on us

26 November 2016 9:00 am

Ernest Hemingway loved going to the zoo, but not on Sundays. The reason, he explained, was that, ‘I don’t like…

‘Study of Two Blossoming Branches of Almond Trees’, early February 1890, Saint-Rémy

Is this newly discovered Van Gogh sketchbook real?

19 November 2016 9:00 am

Vincent van Gogh spent a remarkably short span of time in the southern French town of Arles. The interval between…

‘The Judgement of Paris’, 1933, by William Roberts

When the world falls apart, you go back to the start: Classicism in British Art reviewed

12 November 2016 9:00 am

The catalogue to Pallant House Gallery’s latest exhibition features a favourite anecdote. It is 1924 and a competition is being…

Visionary: ‘Battle of Germany’, 1944, by Paul Nash

Wonderfully mellow, rich and strange: Paul Nash at Tate Britain reviewed

29 October 2016 9:00 am

In 1932 Paul Nash posed the question, is it possible to ‘go modern’ and still ‘be British?’ — a conundrum…

'Landscape with a Waterfall, Second Version' (c.1625-1627)  by Hercules Segers. Etching. Photo: Rijksmuseum

The forgotten Dutch artist who was two centuries ahead of his time

29 October 2016 9:00 am

In debates about what should and should not be taught in art school, the subject of survival skills almost never…

Silhouette of a hand, c.32,000 BC, El Castillo cave, Puente Viesgo, Spain

David Hockney and Martin Gayford on how pictures literally emerged from the shadows

22 October 2016 9:00 am

In an edited extract from their new book, David Hockney and Martin Gayford discuss how pictures emerged from the shadows

‘Portrait of Lee Miller as l’Arlésienne’, 1937, by Pablo Picasso

Was Picasso making fun of the subjects of his portraits?

22 October 2016 9:00 am

As a chat-up line it was at least unusual. On 8 January 1927, a 46-year-old man approached a young woman…

Hollywood lighting: ‘The Taking of Christ’ (1602) by Caravaggio. Photo: The National Gallery of Ireland, Dublin

Caravaggio blasts everything else off the walls in the National Gallery’s new show

15 October 2016 9:00 am

We don’t know what Caravaggio himself would have made of Beyond Caravaggio, the new exhibition at the National Gallery which…

‘An indefinite, half attained, unimaginable sublimity ...that fairly froze you to it, till you involuntarily took an oath with yourself to find out what that marvellous painting meant’:
‘Blue Poles’, 1952, by Jackson Pollock

Majestic, exhilarating and overpowering: Royal Academy’s Abstract Expressionism reviewed

1 October 2016 9:00 am

Martin Gayford is dazzled by the scale, majesty and visual power of the Royal Academy’s Abstract Expressionism show

Newtown school massacre newspaper collage

Hear the real impact of guns on America

1 October 2016 9:00 am

The weather was ‘treacherous’ on Saturday, 23 November 2013, the day chosen randomly by Gary Younge as the focus for…

‘Carcase of an Ox’, by the circle of Rembrandt

Decomposing women, preserved nipples & putrefaction: Flesh at York Art Gallery reviewed

24 September 2016 9:00 am

For a 21st-century gallery, a Victorian collection can be an embarrassment. Tate Modern got around the problem by offloading its…

Brand ‘Picasso’: the artist surrounded by a portion of his 45,000 works, in Cannes, 1956

The squalid afterlife of artists' estates

17 September 2016 9:00 am

Artists’ legacies were once controlled by opportunist collectors or vengeful harpies. Stephen Bayley meets the German lawyer trying to civilise the process

‘The Sombre Malembo, God of the Crossroads’, 1943, by Wifredo Lam

This large Tate Modern exhibition is cruel to Wifredo Lam

17 September 2016 9:00 am

‘My painting is an act of decolonisation,’ declared Wifredo Lam. These are the first words you read on entering the…

At Kingston Lacy, Dorset (right): Rubens’s ‘Portrait of a Noblewoman with a Dwarf’, 1606

The countryside contains enough show-stopping paintings to rival the National Gallery

27 August 2016 9:00 am

Martin Gayford says that summer is the perfect time to view the show-stopping art in Britain’s stately homes, which adds up to an alternative National Gallery

‘Todo Custo’, 2015, Caroline Achaintre

What’s the avant-garde up to? Recycling (itself) and baffling (me)

13 August 2016 9:00 am

One overcast afternoon in late July I took a train to Norfolk. It seemed a good time and place to…

‘Ash Wednesday: 7.00am’, 2004/5, by George Shaw

In defence of suburbia

6 August 2016 9:00 am

The suburbs fuel creativity, says Philip Hensher. So why do writers and artists look down on them?

‘Apple Blossoms’, 1873, by Charles-François Daubigny

The man who who invented impressionism

23 July 2016 9:00 am

The last boat I saw in the galleries on the Mound was a canoe that the Scottish painter Jock McFadyen…

‘The Deluge’, 1920, by Winifred Knights

Piero della Francesca meets Dalí: Winifred Knights at Dulwich Picture Gallery reviewed

9 July 2016 9:00 am

‘Hidden beauty is best (half seen), faces turned away.’ So noted a young English painter named Winifred Knights in 1924.…

‘Sausage Shop’, 1951, by Stanley Spencer

In our fondness for his roses we have cut off Stanley Spencer’s thorns

2 July 2016 9:00 am

In our fondness for his roses we have cut off Stanley Spencer’s thorns. It’s time to see beyond the wisteria blossom, says Laura Freeman

Birthday card from Frank Auerbach to Lucian Freud

You can tell a lot from the paintings painters owned, as this National Gallery show proves

25 June 2016 8:00 am

‘In the end, nothing goes with anything,’ Lucian Freud remarked one afternoon years ago. ‘It’s your taste that puts things…

Out of spirits: ‘Glory be to God’, c.1868, by Georgiana Houghton

A pioneering 19th-century abstract artist is brought back to life at the Courtauld

18 June 2016 9:00 am

Georgiana Houghton’s abstract ‘Spirit Drawings’ were way ahead of their time, says Simon Grant. No wonder the Victorians didn’t get her

‘Babel’, 2001, by Cildo Meireles

It’s time to split the Tate again

18 June 2016 9:00 am

In 1992 I wrote a column that was published under the headline ‘It’s Time to Split the Tate’. To my…

Author Margo Jefferson (Photo: Getty)

Slow radio at its best

18 June 2016 9:00 am

Three women, three writers, three very different life experiences. On Monday afternoon the artist Fiona Graham-Mackay introduced us to Imtiaz…

‘Oh god, ma tutto occupato’ (Ach herrje, ma tutto occupato), 2016, by Georg Baselitz

As he approaches 80, the German master Georg Baselitz contemplates the end

21 May 2016 9:00 am

‘In many ways,’ Georg Baselitz muses, ‘I behaved against the grain of the times I grew up in.’ The era…

Cartoon for St Luke, Chichester Cathedral Tapestry, 1965, by John Piper

The shimmering, restless, groovy fabrics of John Piper

21 May 2016 9:00 am

A story John Piper liked to tell — and the one most told about him — is of a morning…