Painting

‘Gas’, 1940, by Edward Hopper

The good, the bad and the ugly: RA’s America after the Fall reviewed

25 February 2017 9:00 am

The latest exhibition at the Royal Academy is entitled America after the Fall. It deals with painting in the United…

‘Peasants’, c.1930, by Kazimir Malevich

The true harshness of Soviet life rarely comes through: RA’s Revolution reviewed

18 February 2017 9:00 am

Vladimir Putin notoriously declared the collapse of the Soviet Union in 1989 to be one of the greatest disasters of…

‘Eli’, 2002, by Lucian Freud

Lucian Freud’s etchings are some of the strongest things he ever did

4 February 2017 9:00 am

Two divergent approaches to printmaking are on view in an exhibition of graphic work by Francis Bacon and Lucian Freud…

Martin Gayford celebrates the quiet, underrated masterpieces of Michael Andrews

28 January 2017 9:00 am

Martin Gayford celebrates the quiet, underrated masterpieces of Michael Andrews

‘Breakwater’, 1994, by Sandra Blow

Sandra Blow's paintings hold their own with Sixties stars like Hockney and Riley

21 January 2017 9:00 am

In the 1940s Lucian Freud took another young painter, Sandra Blow, up to the top of a bombed church in…

‘The Four Elements’, before 1937, by Adolf Ziegler, which hung above Hitler’s fireplace

Was Nazi art really that bad?

14 January 2017 9:00 am

Bad men and bad politics don’t necessarily equal bad art. So perhaps it’s time to reassess Hitler’s taste in painting, says William Cook

‘Spiral Motif in Green, Violet, Blue and Gold: The Coast of the Inland Sea’, 1950, by Victor Pasmore

Who was the real Victor Pasmore?

14 January 2017 9:00 am

Victor Pasmore once told me how he greeted Pablo Picasso at Victoria station. The great man had come to Britain…

‘Salvador Dalí, New York’, 1947, by Irving Penn

A great ad for the optical benefits of rehab: the Elton John Collection reviewed

7 January 2017 9:00 am

‘Radical’ is like ‘creative’, a word that has been enfeebled to the point of meaninglessness. Everybody seems to want to…

‘Bolshevik’, 1920, by Boris Mikhailovich Kustodiev

The USSR, USA, David Hockney and plywood: Martin Gayford on the visual treats of 2017

31 December 2016 9:00 am

Martin Gayford looks forward to two big Russian shows coming to London next year – and to other visual treats on offer in 2017

Left: Maíno, 1612–14: ‘The Adoration of the Kings’ Right: ‘The Adoration of the Shepherds’

O come, let us adore this little-known Spanish painter

10 December 2016 9:00 am

Martin Gayford is dazzled by two Adorations by a little-known Spanish painter

‘Scenes of the Private and Public Life of the Animals’, 1842, by J.J. Grandville

An entertaining show at Marian Goodman Gallery – where the joke’s on us

26 November 2016 9:00 am

Ernest Hemingway loved going to the zoo, but not on Sundays. The reason, he explained, was that, ‘I don’t like…

‘Study of Two Blossoming Branches of Almond Trees’, early February 1890, Saint-Rémy

Is this newly discovered Van Gogh sketchbook real?

19 November 2016 9:00 am

Vincent van Gogh spent a remarkably short span of time in the southern French town of Arles. The interval between…

‘The Judgement of Paris’, 1933, by William Roberts

When the world falls apart, you go back to the start: Classicism in British Art reviewed

12 November 2016 9:00 am

The catalogue to Pallant House Gallery’s latest exhibition features a favourite anecdote. It is 1924 and a competition is being…

Visionary: ‘Battle of Germany’, 1944, by Paul Nash

Wonderfully mellow, rich and strange: Paul Nash at Tate Britain reviewed

29 October 2016 9:00 am

In 1932 Paul Nash posed the question, is it possible to ‘go modern’ and still ‘be British?’ — a conundrum…

The forgotten Dutch artist who was two centuries ahead of his time

29 October 2016 9:00 am

In debates about what should and should not be taught in art school, the subject of survival skills almost never…

David Hockney and Martin Gayford on how pictures literally emerged from the shadows

22 October 2016 9:00 am

In an edited extract from their new book, David Hockney and Martin Gayford discuss how pictures emerged from the shadows

‘Portrait of Lee Miller as l’Arlésienne’, 1937, by Pablo Picasso

Was Picasso making fun of the subjects of his portraits?

22 October 2016 9:00 am

As a chat-up line it was at least unusual. On 8 January 1927, a 46-year-old man approached a young woman…

Caravaggio blasts everything else off the walls in the National Gallery’s new show

15 October 2016 9:00 am

We don’t know what Caravaggio himself would have made of Beyond Caravaggio, the new exhibition at the National Gallery which…

Majestic, exhilarating and overpowering: Royal Academy’s Abstract Expressionism reviewed

1 October 2016 9:00 am

Martin Gayford is dazzled by the scale, majesty and visual power of the Royal Academy’s Abstract Expressionism show

Hear the real impact of guns on America

1 October 2016 9:00 am

The weather was ‘treacherous’ on Saturday, 23 November 2013, the day chosen randomly by Gary Younge as the focus for…

‘Carcase of an Ox’, by the circle of Rembrandt

Decomposing women, preserved nipples & putrefaction: Flesh at York Art Gallery reviewed

24 September 2016 9:00 am

For a 21st-century gallery, a Victorian collection can be an embarrassment. Tate Modern got around the problem by offloading its…

Brand ‘Picasso’: the artist surrounded by a portion of his 45,000 works, in Cannes, 1956

The squalid afterlife of artists' estates

17 September 2016 9:00 am

Artists’ legacies were once controlled by opportunist collectors or vengeful harpies. Stephen Bayley meets the German lawyer trying to civilise the process

‘The Sombre Malembo, God of the Crossroads’, 1943, by Wifredo Lam

This large Tate Modern exhibition is cruel to Wifredo Lam

17 September 2016 9:00 am

‘My painting is an act of decolonisation,’ declared Wifredo Lam. These are the first words you read on entering the…

At Kingston Lacy, Dorset (right): Rubens’s ‘Portrait of a Noblewoman with a Dwarf’, 1606

The countryside contains enough show-stopping paintings to rival the National Gallery

27 August 2016 9:00 am

Martin Gayford says that summer is the perfect time to view the show-stopping art in Britain’s stately homes, which adds up to an alternative National Gallery

‘Todo Custo’, 2015, Caroline Achaintre

What’s the avant-garde up to? Recycling (itself) and baffling (me)

13 August 2016 9:00 am

One overcast afternoon in late July I took a train to Norfolk. It seemed a good time and place to…