The Savoy was too sumptuous, complained Claude Monet, returning to the hotel in 1904. His rooms — one for sleeping, one for easels, canvases, palettes, with a balcony over the Thames — were too distractingly plush. He had been happier painting with his knees up to his chin in his ‘bateau atelier’ (a rowboat studio)
After an essay in this month’s Prospect about literature and freedom of speech, it seems I was cited on Twitter as a ‘racist provocateur’. Now, I rather fancy being a ‘provocateur’. But as for the adjective… Someone can call you ‘stupid’, and that’s just one person’s opinion. It doesn’t seem true because a single childish
Sometimes — really not often but sometimes — a programme that’s good and honest and true slips under the wire of the BBC’s jealously guarded PC agenda and makes a home run. The latest to do so is a deadpan comedy series called This Country (BBC3). It’s so deadpan that it’s easy to see why
I went to Australia with my constant companion Hilary, the only woman in England I’m not paying alimony to. She is also my spirit guide, and can get me through airports by simply waving her phone at various machines. I’m ashamed to say I still expect my ticket to be punched by a ticket collector,
If you’re looking for a snapshot of the state of global Christianity today, a good place to start would be by looking at two violently contrasting Sarahs: Bishop Sarah, and Cardinal Sarah. One is Anglican, the other Catholic; one white, the other black; one bland, the other terrifying. Both are tipped to be leaders of
They’re still alive, then. Chuggedy-chug, grawk, screech screech, chuggedy-chug. First mention of demons — line one, song two. Song one is about blowing people to bits with firepower, cos they’re really EVIL. There are spurts of lead guitar that sound like knives slashing at an empty plate and those strange, pompous, strangulated vocals — operatic
The Plough and the Stars by Sean O’Casey looks at the Irish nationalist movement during the events of Easter 1916. The setting is a Dublin tenement where the residents exchange gossip and insults and sometimes punches. What begins as an elevated soap opera develops into a tragedy of vast and harrowing proportions. Sean Holmes’s production
When Rudolf Hess, Hitler’s deputy, ejected from the aeroplane he was flying solo to Scotland, he parachuted to the ground and, injured, was taken to the local police station. This was 1941 and he had come on a doomed mission to draw the United Kingdom into peace negotiations. Hess’s aim was to deliver his proposals
At last, a great time at the Royal Opera: a magnificent performance, in every way, of Verdi’s Macbeth, curiously but pleasantly beginning at 3 p.m. This is the fourth outing of Phyllida Lloyd’s 2002 production, and the finest by a long way, though each of the previous series had its merits. If my memory serves
It’s a tough listen, Paradise Lost on Radio 4 at the weekend. In bold defiance of the demands of a broad audience, Milton’s 10,000 lines of high-flown, complex verse runs for two-and-a-half hours (broadcast in two parts on Saturday and Sunday). You need to concentrate and take in every word, not be busy with something
The latest film from Wes Anderson is a doggy animation set in a fantasy Japan and as there was a screening in London earlier this week for owners and their dogs I took my own dog, Monty. He said he liked it. It was ‘good’, he said. I did not especially trust his opinion so
It took a protest of Jews in Westminster for Jeremy Corbyn to own up to the Labour party’s problem with anti-Semitism. It ‘has caused pain and hurt to Jewish members of our party and to the wider Jewish community in Britain,’ he said — an admission that has been a very long time coming. But
A spectre haunted the first weekend of the City of Birmingham Symphony Orchestra’s Debussy Festival: the spectre of Richard Wagner. Debussy’s relationship with Wagner began with infatuation, and ended (as so often) in open rebellion. The young decadent who declared Parsifal ‘one of the loveliest monuments of sound ever raised to the serene glory of
From ‘The great battle’, 30 March 1918: Since our last issue by far the greatest battle of the war has developed — a battle to which, for significance and size, history affords no parallel. It is being fought with such intensity and with such an exhausting use of men and munitions that we cannot suppose that
In Nicolas Poussin’s ‘Noli Me Tangere’ (1653) Christ stands with his heel on a spade. He appears, in his rough allotment smock and sandals, to be digging up carrots. In Abraham Janssens oil painting (c.1620), Christ strides among parsnips and pumpkins, cauliflowers and marrows. Mary Magdalene kneels in an artichoke bed. In Fra Angelico’s fresco
Anti-Christian persecution, for so long a great untold story, has started to gain the world’s attention. But the suffering of Christian communities, from Syria to Nigeria to China, is part of an even broader phenomenon. Religious conflict is on the rise across the globe, with ancient tensions being raised by new political methods. And in
In Competition No. 3041, to mark the centenary of the birth of Muriel Spark, you were invited to submit a poem with the title ‘The Ballad of [insert place name here]. I admired Paul Carpenter’s nod to Ken Dodd (‘The Ballad of Knotty Ash’) and David Silverman’s caustic, comic ‘Ballad of Westgate Shopping Centre’,
Carmen Maria Machado’s debut collection Her Body & Other Parties (Serpent’s Tail, £12.99) takes a confident straddle across speculative fiction, erotica, fable and horror. In these electric stories, the author explores the challenges and promises of women’s bodies with forceful verve. In ‘Real Women Have Bodies’, a mysterious illness makes women gradually fade away; many
Reading The Mind is Flat is like watching The Truman Show and realising, while you’re watching it, that you are Truman. For anyone who hasn’t seen the movie, this is Peter Weir’s 1998 fable in which Jim Carrey discovers he is unwittingly the star of the most successful reality-TV show on the planet. His world
Everyone in Iceland has heard of Gudmunder and Geirfinnur. They were two (unrelated) men who disappeared in 1974, albeit ten months and several miles apart. Gudmunder Einarsson was a teenage labourer who loved to arm-wrestle; Geirfinnur Einarsson a construction worker and family man. Other than shared national hysteria in a country where people rarely go
