From the magazine

Absorbingly repellent: Ed Atkins, at Tate Britain, reviewed

If the visual timbre of Atkins’s video art should be a harbinger of what is to come, heaven help us: the future will be a living nightmare

Houman Barekat
‘Pianowork 2’, 2023 ED ATKINS
EXPLORE THE ISSUE 12 April 2025
issue 12 April 2025

In the old days, you’d have to go to a lot of trouble to inhabit another person’s skin. Today you can simply buy a customisable 3D avatar from Turbosquid.com, animate it with your own movements by wearing a sensor-filled motion-capture bodysuit, and presto! Lifelike but eerily soulless, Ed Atkins’s video portraits occupy a strange visual hinterland between computer-game graphics and deepfake realism.

The close-ups elicit a tingling revulsion: this seems to be a human being, but something is off

A man tosses and turns in bed before his home is violently swallowed up by a sinkhole; a besuited talkshow host puffs away...

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