Roger Lewis

A Rogues’ Gallery, by Peter Lewis – review

Like Mel Brooks’s character the Two Thousand-Year-Old Man, Peter Lewis has met everyone of consequence. Though he doesn’t mention being an eyewitness at the Crucifixion, he was told by T.S. Eliot that working in a bank was quite nice (‘I never thought about poetry in the day’). Frankie Howerd wanted Lewis to give him a massage (‘I have this trouble, a hernia, you see.

Already a subscriber? Log in

Keep reading with a free trial

Subscribe and get your first month of online and app access for free. After that it’s just £1 a week.

There’s no commitment, you can cancel any time.

Or

Unlock more articles

REGISTER

Comments

Don't miss out

Join the conversation with other Spectator readers. Subscribe to leave a comment.

Already a subscriber? Log in