Tanya Gold Tanya Gold

A trip down Mammary Lane

The atmosphere is vague and vapid and feels like an excuse to look at women’s pants while being in denial about why we’re looking at women’s pants

issue 16 April 2016

The V&A is selling £35 Agent Provocateur pants. This is, of course, a business deal because Agent Provocateur — along with Revlon — is sponsoring the museum’s new exhibition Undressed or, as I would have called it, if I were a curator with a gun to my head: Important Artefacts from the Ancient Kingdom of Boob; or A Trip Down Mammary Lane.

The atmosphere is vague and vapid, for this is fashion-land, where anger, if it even exists, is buried deep. But no matter; this is what I am here for.

I can now tell you that, in the 19th century, women wore cages on their legs (a metaphor?), and that most women in history panicked as to what to do with their boobs because they were the most interesting thing about them, and still are. Corsetry is the history of this anxiety. It has sometimes, Undressed notes calmly, caused serious injury; but it is less interested in the injury than the corset; and that is what is wrong with Undressed. Too much boob. Not enough woman.

I can also tell you that women have always been bullied by soap adverts.

Undressed answers some semi-interesting questions such as — who invented the thong? (Rudi Gernreich.) Where did pyjamas come from? (‘The East,’ says the caption, portentously. What — Kent?) Sometimes the blurb — the apology — speaks the obvious: ‘Fashion and underwear are intimately connected’. Sometimes it exists to anger posh ghosts: ‘Queen Victoria’s mother, the Duchess of Kent, is believed to have owned these drawers’; or ‘Stocking worn by Queen Alexandra’.

Much of it is about marketing. We are schooled in the tricks of Gossard, Playtex and the person who invented a shelf for the ball sac. This is all noted without fury, or polemic, or barely, it feels to me, interest, but perhaps that is just how I hear it.

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