Rupert Christiansen

A vanity exercise: Carlos at 50, at the Royal Opera House, reviewed

Plus: I hope the excellent Australian Ballet come back to the UK soon

How tenderly and courteously Acosta squired his beloved Marianela Nunez as melancholy Odette. Credit: Tristram Kenton

In 2015 Carlos Acosta announced his retirement from the Royal Ballet and the classical repertory. It seemed like the right moment; he was 42 and, truth to tell, some of us could detect a slight waning of his prowess and physique. Time to move on: since then, he has done great work in his native Cuba and is currently a venturesome artistic director of Birmingham Royal Ballet.

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