Dance

Akram Khan in Mirella Weingarten’s starkly stupendous set

A smidge of self-indulgence amid the power and grace: Akram Khan's Xenos reviewed

9 June 2018 9:00 am

‘Sunil Lanba, Salman Quaraishi, Omar Syed…’ Names play from a crackling gramophone. We hear what they were before the war.…

Artists of the Royal Ballet against the easel-worthy backcloths of John Macfarlane’s ravishing designs for Swan Lake

Proper tutus, gorgeous designs, first-rate dancing: Royal Ballet’s new Swan Lake reviewed

26 May 2018 9:00 am

The Royal Ballet’s 2016 Frankenstein was a masterclass in how not to make narrative dance and the news that Liam…

Dancing feat: Fred Astaire and Bing Crosby rehearsing choreography for Blue Skies

A short history of tap

12 May 2018 9:00 am

Tap dancing is having a moment. Louise Levene looks back at its golden age, its African American roots and how cultural appropriation was part of its life blood

How do these Shaolin monks square six shows a week with monking?

How do these Shaolin monks square six shows a week with monking?

14 April 2018 9:00 am

The Shaolin monks are no strangers to the stage. Their home in Dengfeng is a major stop on the Chinese…

Paying homage to the seated diva: a still from the 2016 documentary about La Chana

Louise Levene meets the tormented queen of flamenco, who bewitched Dali & Peter Sellers

3 March 2018 9:00 am

Louise Levene meets the great Gypsy dancer La Chana, who bewitched Dali and Peter Sellers

The men give the women little to work with: Giselle reviewed

24 February 2018 9:00 am

A bumper fortnight for Covent Garden florists thanks to a 20th-anniversary flower shower for the Royal Ballet’s Marianela Nunez and…

Company Wayne McGregor — Autobiography at Sadler’s Wells

Dancing the genetic code, big girls’ blouses and a ballroom bitch: Sadler’s Wells roundup

28 October 2017 9:00 am

Ballet would have been an obvious revenue stream for Sadler’s Wells when it reopened back in 1998 but straight-up classics…

Tyrone Singleton and Jenna Roberts in MacMillan’s Concerto

Kenneth MacMillan: the dark genius of British ballet – its destroyer, if you listen to some

21 October 2017 9:00 am

The 25th anniversary of Kenneth MacMillan’s death is finally giving us something to celebrate – and about time too, says Ismene Brown

Dancers of the Royal Ballet in Christopher Wheeldon’s Alice’s Adventures in Wonderland

Royal Ballet's Alice is a joy to look at - if only it weren't such a bore

7 October 2017 9:00 am

Alice is at it again. Christopher Wheeldon’s 2011 three-act ballet began another sell-out run at Covent Garden last week. It’s…

Bring on the dancing-girls: Follies at the Oliver

It’s hard to care about these geriatric bed-hoppers: Follies at the Olivier reviewed

16 September 2017 9:00 am

Stephen Sondheim’s Follies takes a huge leap into the past. It’s 1971 and we meet two middle-aged couples who knew…

The glorious Grand Pas from Paquita, part of the Mariinsky’s triple bill

I’m glad the Mariinksy don’t airbrush La Bayadère’s dodgy local colour

19 August 2017 9:00 am

Not really a vintage Mariinsky season — an odd choice of repertoire and some hit-and-miss male casting — but the…

The Mariinsky’s first British principal looked nervous – would his legs carry him through Swan Lake?

5 August 2017 9:00 am

Tall, handsome boys with long legs and beautifully arched feet do not grow on trees (if only). Every ballet director…

Miranda Richardson in Robert Wilson’s 1996 production of Orlando for the EIF

Why I avoid Edinburgh International Festival

29 July 2017 9:00 am

Lloyd Evans says Edinburgh continues to get bigger (if not better) at 70, but the International Festival has had its day

They like to move it: voguing at Club a la Mode, New York, 1998

A short history of voguing – an art, a sport, a way of life

15 July 2017 9:00 am

It’s dance — but not as you know it. A giddy mass of flying limbs, sashaying hips and pouty faces.…

Bennet Gartside as Bottom and Akane Takada as Titania in Frederick Ashton’s The Dream

Ashton’s Dream is a must-see: Royal Ballet’s Triple Bill reviewed

10 June 2017 9:00 am

Thrilling debuts, starry guests and a tear-stained farewell at Covent Garden this week as the Royal Ballet closed the season…

Edward Watson as Crown Prince Rudolf and Natalia Osipova at Mary Vetsera in Royal Ballet’s Mayerling

Intelligence, nuance and white-hot energy: Royal Ballet’s Mayerling reviewed

6 May 2017 9:00 am

A tragic flaw is one thing — every hero should have one — but Mayerling’s Rudolf, a syphilitic drug addict…

This is England: Paris Fitzpatrick and Daniel Collins in ‘Town and Country’ from ‘Matthew Bourne’s Early Adventures’

A warm-beer-and-bicycles take on all things English: Matthew Bourne’s Early Adventures reviewed

15 April 2017 8:00 am

‘Modern’ dance was no laughing matter in 1987. Harold King, director of the now-defunct London City Ballet, cattily typified it…

Balanchine’s fiendishly difficult Jewels is brilliantly danced by the Royal Ballet

8 April 2017 9:00 am

A trio of dazzling scores, the soft clack of gemstones on hips and collarbones, a glittering parure of solos, duets…

The mechanicals: the dancers in Wayne McGregor’s ‘Tree of Codes’ interlock but they never really interact and we are left humming the scenery.

Music and dance are totally eclipsed by the setting: Tree of Codes reviewed

18 March 2017 9:00 am

The exit signs were switched off and the stalls were in utter darkness. One by one, 15 invisible dancers, their…

The thrills are in the visuals: Philip Glass’s Les Enfants Terribles reviewed

4 February 2017 9:00 am

Kids: who’d have them? Certainly no one who has ever been to the opera. If they’re not murdering you, they’re…

Too much redemption, not enough damnation: Matthew Bourne’s The Red Shoes reviewed

14 January 2017 9:00 am

From a film about ballet to a ballet about film. In reworking the 1948 Powell and Pressburger classic The Red…

Zadie Smith’s latest dance to the music of time

5 November 2016 9:00 am

Zadie Smith explores themes of identity, freedom, rhythm and time with much skill and grace, says Ruth Scurr

Viscerally exciting: Alina Cojocaru and Issac Hernández in Akram Khan’s ‘Giselle’

Akram Khan's choreography is breath-catching: ENB's Giselle reviewed

8 October 2016 9:00 am

Giselle endures in the collective imagination as a charming, sorrowful, supernatural love story. Premièred in Paris in 1841, this keystone…

From spiritual transcendence to gender warfare: Alvin Ailey American Dance Theater review

17 September 2016 9:00 am

For a regular dancegoer in New York City, the Alvin Ailey American Dance Theater seasons arrive with the comforting predictability…

Peter Wright rehearses Giselle with the Canadian ballet dancer Karen Kain in 1974

Peter Wright and the bitchy world of ballet

3 September 2016 9:00 am

Memoirs of old men, baldly, tend to be tricky. Sir Peter Wright, one of the founding pillars of the British…