Dance

Tyrone Singleton and Jenna Roberts in MacMillan’s Concerto

Kenneth MacMillan: the dark genius of British ballet – its destroyer, if you listen to some

21 October 2017 9:00 am

The 25th anniversary of Kenneth MacMillan’s death is finally giving us something to celebrate – and about time too, says Ismene Brown

Dancers of the Royal Ballet in Christopher Wheeldon’s Alice’s Adventures in Wonderland

Royal Ballet's Alice is a joy to look at - if only it weren't such a bore

7 October 2017 9:00 am

Alice is at it again. Christopher Wheeldon’s 2011 three-act ballet began another sell-out run at Covent Garden last week. It’s…

Bring on the dancing-girls: Follies at the Oliver

It’s hard to care about these geriatric bed-hoppers: Follies at the Olivier reviewed

16 September 2017 9:00 am

Stephen Sondheim’s Follies takes a huge leap into the past. It’s 1971 and we meet two middle-aged couples who knew…

The glorious Grand Pas from Paquita, part of the Mariinsky’s triple bill

I’m glad the Mariinksy don’t airbrush La Bayadère’s dodgy local colour

19 August 2017 9:00 am

Not really a vintage Mariinsky season — an odd choice of repertoire and some hit-and-miss male casting — but the…

The Mariinsky’s first British principal looked nervous – would his legs carry him through Swan Lake?

5 August 2017 9:00 am

Tall, handsome boys with long legs and beautifully arched feet do not grow on trees (if only). Every ballet director…

Miranda Richardson in Robert Wilson’s 1996 production of Orlando for the EIF

Why I avoid Edinburgh International Festival

29 July 2017 9:00 am

Lloyd Evans says Edinburgh continues to get bigger (if not better) at 70, but the International Festival has had its day

They like to move it: voguing at Club a la Mode, New York, 1998

A short history of voguing – an art, a sport, a way of life

15 July 2017 9:00 am

It’s dance — but not as you know it. A giddy mass of flying limbs, sashaying hips and pouty faces.…

Bennet Gartside as Bottom and Akane Takada as Titania in Frederick Ashton’s The Dream

Ashton’s Dream is a must-see: Royal Ballet’s Triple Bill reviewed

10 June 2017 9:00 am

Thrilling debuts, starry guests and a tear-stained farewell at Covent Garden this week as the Royal Ballet closed the season…

Edward Watson as Crown Prince Rudolf and Natalia Osipova at Mary Vetsera in Royal Ballet’s Mayerling

Intelligence, nuance and white-hot energy: Royal Ballet’s Mayerling reviewed

6 May 2017 9:00 am

A tragic flaw is one thing — every hero should have one — but Mayerling’s Rudolf, a syphilitic drug addict…

This is England: Paris Fitzpatrick and Daniel Collins in ‘Town and Country’ from ‘Matthew Bourne’s Early Adventures’

A warm-beer-and-bicycles take on all things English: Matthew Bourne’s Early Adventures reviewed

15 April 2017 8:00 am

‘Modern’ dance was no laughing matter in 1987. Harold King, director of the now-defunct London City Ballet, cattily typified it…

Balanchine’s fiendishly difficult Jewels is brilliantly danced by the Royal Ballet

8 April 2017 9:00 am

A trio of dazzling scores, the soft clack of gemstones on hips and collarbones, a glittering parure of solos, duets…

The mechanicals: the dancers in Wayne McGregor’s ‘Tree of Codes’ interlock but they never really interact and we are left humming the scenery.

Music and dance are totally eclipsed by the setting: Tree of Codes reviewed

18 March 2017 9:00 am

The exit signs were switched off and the stalls were in utter darkness. One by one, 15 invisible dancers, their…

The thrills are in the visuals: Philip Glass’s Les Enfants Terribles reviewed

4 February 2017 9:00 am

Kids: who’d have them? Certainly no one who has ever been to the opera. If they’re not murdering you, they’re…

Too much redemption, not enough damnation: Matthew Bourne’s The Red Shoes reviewed

14 January 2017 9:00 am

From a film about ballet to a ballet about film. In reworking the 1948 Powell and Pressburger classic The Red…

Zadie Smith’s latest dance to the music of time

5 November 2016 9:00 am

Zadie Smith explores themes of identity, freedom, rhythm and time with much skill and grace, says Ruth Scurr

Viscerally exciting: Alina Cojocaru and Issac Hernández in Akram Khan’s ‘Giselle’

Akram Khan's choreography is breath-catching: ENB's Giselle reviewed

8 October 2016 9:00 am

Giselle endures in the collective imagination as a charming, sorrowful, supernatural love story. Premièred in Paris in 1841, this keystone…

From spiritual transcendence to gender warfare: Alvin Ailey American Dance Theater review

17 September 2016 9:00 am

For a regular dancegoer in New York City, the Alvin Ailey American Dance Theater seasons arrive with the comforting predictability…

Peter Wright rehearses Giselle with the Canadian ballet dancer Karen Kain in 1974

Peter Wright and the bitchy world of ballet

3 September 2016 9:00 am

Memoirs of old men, baldly, tend to be tricky. Sir Peter Wright, one of the founding pillars of the British…

At times utterly gripping: Crystal Pite at the Edinburgh International Festival reviewed

27 August 2016 9:00 am

Crystal Pite, the Canadian dancemaker who combines intellectual, emotional and physical intelligence in rare degree, is classically trained, but her…

In her final column, Ismene Brown salutes the Bolshoi’s real stars: the corps de ballet

20 August 2016 9:00 am

The second half of the Bolshoi tour brought much fresher fare than the first: following the ubiquitous warhorses Don Quixote…

This Creation puts brain before heart: Rambert at Garsington Opera reviewed

23 July 2016 9:00 am

Mark Morris, the most musically communicative and naturally lyrical of choreographers of the past 30 years (and an absentee from…

The opera for opera sceptics: Jenufa at Longborough reviewed

23 July 2016 9:00 am

What’s the best first opera for a sceptical adult first timer? It’s a favourite topic among opera buffs, and once…

Osipova and Polunin are great classical dancers, but here they have little to dance

9 July 2016 9:00 am

The Bolshoi Ballet’s wunderkind ballerina Natalia Osipova defied received wisdom when, in 2012, she cast off from the great Moscow…

A stylish, profound 20-minute dance distillation of Othello at Birmingham Royal Ballet

2 July 2016 9:00 am

Paradoxically, some ballet masterworks absolutely depend on tiptop performing to demonstrate how great they are. If they don’t get it,…

Was this spectacular performance at the Royal Albert Hall Tamara Rojo’s final Swan Lake?

18 June 2016 9:00 am

Was Tamara Rojo, when she danced Swan Lake last Saturday at the Albert Hall, thinking as she shaped each phrase,…