Dance

I felt the earth move just as before: Akram Khan’s Kaash reviewed

19 March 2016 9:00 am

You revisit an old love with wariness. Time’s passed for both of you — sharp edges have been smoothed, and…

Now that's what I call sex: Birmingham Royal Ballet's Ashton Double Bill reviewed

5 March 2016 9:00 am

That joke about the young bull who tells the old bull, ‘Hey, Dad, see all those cows — let’s run…

Fallen woman: Natalia Osipova as Amélie Gautreau

Wheeldon’s new ballet lacks guts: Royal Ballet’s Strapless reviewed

20 February 2016 9:00 am

How could it possibly go wrong? The magnetic, seething Russian star Natalia Osipova playing the tragic woman in John Singer…

Gorgeous, visionary sights from Akram Khan at the Roundhouse

6 February 2016 9:00 am

How much of a compromise does a fashionable choreographer loved by all have to make with his paymasters? When he’s…

We’re entering a new era for dance - expect big ballets with big stories

16 January 2016 9:00 am

Dance has its own archaeological periods, and 2016’s schedules are confirming what 2015 indicated — that the era of dances…

Why did a Russian ballet dancer throw acid in his boss’s face?

12 December 2015 9:00 am

The 16th June 1961 and 17th January 2013 are two indelible dates in the annals of Russian ballet. Two events…

Is Twitter now in charge of the Royal Ballet’s artistic programming?

5 December 2015 9:00 am

For all the billing and cooing on public forums about the Royal Ballet’s The Two Pigeons revival, there’s a silent…

Rambert Dance: one piercing masterpiece - and one dud

21 November 2015 9:00 am

Mark Baldwin, artistic director of Rambert Dance, must take responsibility for most of the good times I’ve had recently, midwife…

Carlos Acosta’s incoherent Carmen is a disaster

7 November 2015 9:00 am

The love that asks no questions, the love that pays the price… The amount of unconditional love sloshing about at…

This Juliet needs a new Romeo

29 October 2015 9:00 am

You always remember your first time, don’t you? And in ballet one imagines that Juliet wants to remember her first…

Giselle has floored many a ballerina — it did so again last week

17 October 2015 8:00 am

English has all sorts of emotive metaphors for how we feel about the ground. We’re floored. Or well grounded. Or…

From top left: Lucian Freud, Rudolf Bing, Stefan Zweig, Walter Gropius, Rudolf Laban, Max Born, Kurt Schwitters, Friedrich Hayek, Fritz Busch, Frank Auerbach, Emeric Pressburger, Oskar Kokoschka

German refugees transformed British cultural life - but at a price

3 October 2015 9:00 am

German-speaking refugees dragged British culture into the 20th century. But that didn’t go down well in Stepney or Stevenage, says William Cook

War, socialist tyranny and the oppression of the handicapped - welcome to the new dance season

19 September 2015 8:00 am

If there’s one thing scarcer than hen’s teeth in serious choreography nowadays, it’s a light heart. When was the last…

Dance from Edinburgh: a flamenco master who could tell classical ballet a thing or two

29 August 2015 9:00 am

Every August when London dims, Edinburgh calls, promising nothing less than ‘the greats of the arts’ at the International Festival.…

Sylvie Guillem’s better than ever in her final, final Coliseum farewell

15 August 2015 9:00 am

The blackness that sweeps along the stage behind Sylvie Guillem’s disappearing figure in the Russell Maliphant piece on her farewell…

You can feel as if you’re in a colony of rabbits: Matthew Bourne’s Car Man reviewed

1 August 2015 9:00 am

Hot, languorous, sizzling… I was thinking what an ideal show Matthew Bourne’s noir comedy is to watch on a summer’s…

The Sun King deserves better than this silly cabaret from Birmingham Royal Ballet

4 July 2015 9:00 am

It’s a comfort that the creation of a new ballet inspired by French court entertainment can still happen in the…

The choreographer that does things to tango couples that Relate would not recommend

20 June 2015 9:00 am

I often regret that I’m writing in the past tense here, but never more than about milonga. It is such…

Sylvie Guillem, in savage-child tunic and a Mowgli wig, says farewell to her fans

Is that Sylvie Guillem? Or R2-D2? Guillem's farewell dance at Sadler’s Wells reviewed

6 June 2015 9:00 am

There’s been a clutch of middle-aged danseuses taking leave of life in one way or another recently. We’ve seen the…

Rapture - and loathing: Woolf Works at the Royal Ballet reviewed

23 May 2015 9:00 am

People have been saying that Wayne McGregor’s new Woolf Works has reinvented the three-act ballet, but not so. William Forsythe…

Rosie Kay’s 5 Soldiers: brutishly physical and powerfully striking

9 May 2015 9:00 am

In dance, it’s usually the moment the boys start fighting that challenges your suspension of disbelief. Synchronised fencing (MacMillan’s Romeo…

Vadim Muntagirov and Laura Morera in ‘La Fille mal gardée’

La Fille mal gardee at the Royal Opera House reviewed: light, lithe and tender

25 April 2015 9:00 am

The current talking-point at the Royal Ballet is the Russians milling around. One can sound unfortunately as if one’s starting…

An Indian Bayadère that meets a sludgy end

11 April 2015 9:00 am

For an Indian woman to make a dancework about La Bayadère is a promising prospect. This classical ballet of 1877…

50 shades of beige: English National Ballet's Modern Masters at Sadler's Wells, reviewed

21 March 2015 9:00 am

My moment of the week was stumbling into the shocking, fantastical Cabinet of Curiosities in the Alexander McQueen show at…

A legendary piece of iconoclastic dance returns. Does the piece still stand up?

28 February 2015 9:00 am

Funny how things turn upside-down with time. A work of contemporary dance that made an iconoclastic splash decades ago is…