Philip Hoare

Albrecht Dürer’s genius for self-promotion

The great artist was also a supreme narcissist, painting his coded monogram in a self-portrait as Christ and advertising his talents in the central panel of an altarpiece

Dürer’s self-portrait as a Christ-like figure, painted in 1500. [Bridgeman Images]

  • Dürer’s Lost Masterpiece: Art and Society at the Dawn of a Global World

    Ulinka Rublack

    OUP, pp. 448, £30

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