‘What makes the Red Man red?’ the Lost Boys asked in Disney’s Peter Pan (1953). According to Sammy Cahn’s lyric, it was embarrassment: ‘The very first Injun prince/ He kissed a maid and start to blush.’
Redness is everywhere in The Earth is Weeping — in the anger of the Indians, harried and starved into fatal resistance; in the shame of the whites, with their fork-tongued treaties and heavy weapons; and in the blood, Indian and white, that flows on almost every page of Peter Cozzens’s sweeping, expert and appalling account of the murder of America’s Indians.
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