In 1944 an Allied bomb fell into the circular courtyard of the ancient Roman-inspired house that Andrea Mantegna had built for himself in Mantua, bouncing off its frescoed frieze. It failed to detonate. On 11 March of the same year, another landed on the Eremitani church in Padua, blowing the Ovetari chapel, whose walls were decorated with the precocious young Mantegna’s first fresco cycles, to smithereens.

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