An innocent abroad | 10 March 2016

For those who read the weekly music press during the 1980s, David Quantick’s was a name you could rely on. Unlike some of the more Derridean elements at the NME, his reviews of new bands and LPs were both comprehensible and authentically funny. He has gone on to become a successful comedy broadcaster and writer for radio, TV and film: The Day Today, The Thick of It, Harry Hill’s TV Burp. Recently he was part of the team that won an Emmy for the US political comedy series Veep.

The Mule is Quantick’s second novel (his first, Sparks, came out in 2012). It is narrated by an eccentric and somewhat literal translator of European fiction called Jacky, nicknamed ‘the Mule’ by unkind college contemporaries — ‘I abandoned my lunch and went over to the mirror. I studied my face for several minutes. Maybe the large eyes were like those of a mule? I couldn’t see it myself.’ After a seemingly chance encounter with a beautiful and troubled young woman in a bar, Jacky becomes embroiled in a plot involving murder, romance and a set of mysterious texts called the Von Fremdenplatz documents, the origins of which owe something to Borges’s short story ‘Tlön, Uqbar, Orbis Tertius’.

The world of publishing literature in translation is not one which has lent itself to hilarity often, but thanks to The Mule’s stubborn narrator, this is frequently a very funny novel. His account of the difficulties inherent in rendering the ‘epiphany face-off’ of A.J.L. Ferber’s Society’s Elephant — ‘which despite its heavy title is in fact the shortest of her books, a comparative novella at 580 pages’ — into meaningful English had me spluttering with laughter.

There’s an enjoyable tension too between the page-turner demands of the comedy-thriller genre, to which the book belongs, and Jacky’s pedantic need to interpret and explain absolutely everything.