Christmas is the time for stimulating educational games round a roaring open telly. This year’s is a real festive winner: construct your own Greek tragedy, on any subject of your choice. The rules, observable in Sophocles (496-405 bc) and Euripides (485-406 bc), are strict:
1. The tragedy lasts about two hours and is played in real time: i.e., it represents an unbroken two-hour period in the characters’ lives.
2. It takes place in a single location, out of doors. Since Greek tragedies were frequently about kings, that meant outside his palace: i.e., in the palace front garden, or on the roof – a stimulating location indeed.
3. Only three actors are allowed, though they can play as many parts as the tragedian wishes. In one tragedy the three actors played 11 parts between them. So crowd scenes, assemblies and battles are impossible; nor must anyone die on stage because that leaves you with only two actors.
4. One of these actors must be the main centre of the play’s dramatic attention, even if he/she is not actually on stage for the whole time; there may also be a secondary main character, acting as a foil to the first. This could leave the third actor with a lot to do (give him time to change costumes).
5. After the first ‘act’ (epeisodion, cf. ‘episode’), a chorus consisting of 15 men or women comes on stage to do a song-and-dance routine relevant to the unfolding action. It remains on stage for the rest of the tragedy, doing its routines between the acts. It has a collective identity, which remains constant throughout the play, and its leader may engage in conversation with the actors. Its main purpose is to bring a collective and communal dimension to the individual tragedy being worked out before it.
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