James Cahill

Andy Warhol would have revelled in the chaos of his legacy

Having signed fake screenprints as his own, Warhol left his work open to questionable rulings by an authentication board, causing collectors much frustration and expense

‘Red Self-Portrait’ – fake or fortune? [Courtesy of the publisher]
  • Comments

  • Warhol After Warhol: Power and Money in the Modern Art World

    Richard Dorment

    Picador, pp. 288, £18

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Read next

Trending

Flora Watkins

Inside the chaotic Household Cavalry stables

From Spectator Life
Churchill had his black dog tailing him around. I used to have black horses galloping through my head. They careered around out of control, rendering me so anxious that I couldn’t sleep the night before I was due to heave myself into the saddle as a civilian support rider for the Household Cavalry. So the

Because you read about Book review – art history

Latest

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in