Harry Mount

Antigua

Caribbean encounters with beautiful Georgian architecture and the legacy of slavery

‘Tourism, tourism and tourism,’ said my Antiguan cab driver, when I asked what the country’s main industries were. Still, it’s easy to avoid the other tourists, even though the island’s just over 100 square miles. Take a quad-bike tour — arranged by my hotel, the Sandals Grande Antigua Resort — and you can go from one end of the island to another in a morning, without seeing another tourist.

Instead, you’ll see fields of sweet potatoes, dotted with sprawling tamarisk trees; jagged cliffs and pale-yellow beaches, fringed with luminous, aquamarine water. You’ll also come across remnants of old sugar plantations; in the early colonial years, slavery was Antigua’s biggest moneymaker.

Most stirring of all is Betty’s Hope Estate, Antigua’s first major sugar plantation, founded by Christopher Codrington in the late 17th century. I felt a little chill when I read, in the pretty little museum there, that Codrington’s son’s legacy paid for Hawksmoor’s library at All Souls, Oxford. I once spent many happy hours in that library, reading in the shadow of Christopher Codrington’s statue. I didn’t realise my pleasure was subsidised with slave money.

Divine retribution, in the form of a hurricane, has swept away the Betty’s Hope mansion. The slave village has been swallowed up by undergrowth. But the windmills that ground the sticky cane still stand, their robust machinery imported from Derby.

A happier legacy of colonial rule is Antigua’s capital, St John’s, its yellow and pink pastel houses clustered beneath the baroque towers of St John’s Cathedral. Just outside St John’s, the old sugarcane fields are dominated by a worthy replacement: the Sir Vivian Richards Stadium, named after Antigua’s greatest cricketer and largely built, like the new airport, with Chinese money.

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