Igor Toronyi-Lalic

Apocalyptic minimalism: Carl Orff’s final opera, at Salzburg Festival, reviewed

Plus: why did we ever aesthetically uncancel Mahler's Second Symphony?

Romeo Castellucci served up Orff's De Temporum Fine Comoedia pitch black. Image: Monika Rittershaus
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  • Duke Bluebeard’s Castle/De Temporum Fine Comoedia

    Felsenreitschule, Salzburg

  • Resurrection – Gustav Mahler

    Arte.TV

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