Ella Hickson’s last play at the Almeida was a sketch show about oil. Her new effort uses the same episodic format ornamented with ‘meta-textual experimentation’ (i.e. plotless confusion).
The central character is a brilliant young female writer who finds that all male theatre directors are boorish cynical greedy philistine racist sex pests.
Disagree with half of it, enjoy reading all of it
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