Michael Tanner

Birtwistle’s brilliance

<strong>The Minotaur</strong><br /> <em>Royal Opera</em>

issue 26 April 2008

The Minotaur
Royal Opera

For the first time in the 12 years that I have been reviewing opera weekly, I have been to the first performance of a masterpiece. The Minotaur, so far as I can tell from one intense experience, has all of Harrison Birtwistle’s strengths and none of his weaknesses.

GIF Image

Disagree with half of it, enjoy reading all of it

TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view

Comments

Join the debate for just £1 a month

Be part of the conversation with other Spectator readers by getting your first three months for £3.

Already a subscriber? Log in