Morte d’Arthur
Courtyard Theatre, Stratford-upon-Avon, in rep until 28 August
The quest for King Arthur is not to be undertaken lightly. The RSC’s éminence grise, John Barton, has devoted much of his life to it — or at least what has remained to him after Tantalus, his nine-hour dramatisation of the literature piled up around the walls of Troy.
Disagree with half of it, enjoy reading all of it
TRY A MONTH FREE
Our magazine articles are for subscribers only. Try a month of Britain’s best writing, absolutely free.
Already a subscriber? Log in
Comments
Join the debate, free for a month
Be part of the conversation with other Spectator readers by getting your first month free.
UNLOCK ACCESS Try a month freeAlready a subscriber? Log in