The cape is having a moment thanks to the Highland wardrobe of Claudia Winkleman, who is currently presenting The Traitors for a third season. Capes are often used in literature to signal an air of mystery (think Sherlock Holmes) or to hide identity (Little Red Riding Hood or Lord Voldemort). The cape is a contradiction: demure but dramatic, it is the perfect item of clothing for a TV programme themed around treachery.
But far from disguising the wearer, a cape can’t fail to attract attention. The silhouette gives everyone an aura of stature. I tend to reach for mine for my Monday morning commute when I feel the need to look more put together. Capes give the impression of someone who has got their act together, or at least knows where they’re going. I frequently get asked for directions when I’m wearing my city cape. I can only assume I emanate tour-guide confidence.
Capes are not all style over substance, either. They are practical and easy to move around in. Capes work well when layered over bulky knitwear, particularly in autumn or spring, when the weather is hard to predict. Shops that have cranked up their heating too high are also not a problem, as they can sometimes be when wearing a winter coat.
The cape is flattering for all sizes, with the loose cut offering forgiveness for any overindulgence. Let’s not forget the pockets of capes, which tend to be as deep as the deceit of the Traitors themselves. They are ideal for hiding any essentials you may need when out and about, such as dog treats, smelling salt vials, etc.
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