As someone who once raved about William Forsythe’s innovative approach to ballet and fondly admired his groundbreaking choreographic explorations, I felt let down by last week’s performance by his company at Sadler’s Wells.
Things did not start badly, though. The way gestural solutions unfold and develop in a crescendo of movement variables, variants, similes and opposites in N.N.N.N.
Disagree with half of it, enjoy reading all of it
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