Switch is a French action thriller starring that lumbering wooden legend of French cinema, Eric Cantona, and it’s awful, but at least it is one of my favourite kinds of awful film: so awful it’s a triumph. If I were ever invited to lecture at film school — remarkably, I have yet to receive such an invite — the first thing I’d say is: girls, boys, although your narrative shouldn’t be predictable, it must add up in terms of what has gone before.
Deborah Ross
Comments
Don't miss out
Join the conversation with other Spectator readers. Subscribe to leave a comment.
UNLOCK ACCESSAlready a subscriber? Log in