Emotional ties

Nostalgia isn’t what it used to be.

Nostalgia isn’t what it used to be. There is so much demand that the past is constantly creeping nearer to the present. The BBC is running an Eighties season in which it celebrates events that seem pretty close to most of us. Soon it’ll be looking back, misty-eyed, on early 2010, distant days when Lady Gaga was top of the ‘hit parade’, Gordon Brown was prime minister and you could get a pint for £3.75.

This week they showed Worried about the Boy on BBC2 (Sunday) on the early life of Boy George. This was an intriguing programme; neither an old-fashioned biopic (‘Hey, tell you something, that kid can sing!’) nor a rags-to-rags story of a star descending into a heroin hell. What made it particularly sensitive was the relationship between the singer, effete yet ruthlessly determined, and his father. Apparently, Jerry O’Dowd was raised in London, but he was played with a thick Irish accent by Francis Magee. That didn’t matter because the father’s bafflement, resentment, yet devotion to his son infused the film. At one point George comes back to his flat to find his father burning his designer dresses, having flushed his drugs down the toilet. He was refusing to let go of the boy, and was desperate to understand how he lived and why — the destruction was his way of reaching out. George was furious, yet in spite of everything needed his father’s emotional strength. It was a tender scene, and was quite different from most ‘rockumentaries’, in which the father would have been depicted as a brain-dead bourgeois, pushing his child towards a career in accountancy.

Tony Basgallop’s script was full of George’s wry humour, close to despair.