Michael Tanner

ENO’s Rodelinda: near-perfect singing, perfectly gimmicky direction

ENO’s new production of the Handel opera is a musical feast. Plus: two brilliant evenings with Opera North

Kelly Cae Hogan (Lady Macbeth) and Béla Perencz (Macbeth) [Getty Images/Shutterstock/iStock/Alamy]

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

Want to join the debate?

Join the conversation with other Spectator readers by getting your first 3 months for just £3.

Already a subscriber? Log in