Eno

Excellent but there’s too much larking about: ENO’s Rodelinda reviewed

4 November 2017 9:00 am

ENO has revived Richard Jones’s production of Handel’s Rodelinda. It was warmly greeted on its first outing in 2014, though…

Opera North’s Cavalleria rusticana is the ideal opera to take a young Corbynista to

7 October 2017 9:00 am

Did you know that they used to make the Fiat 126 in the Eastern bloc? They did, apparently. There was…

Slyly surreal: Christopher Alden’s Partenope at ENO

Denial has rarely looked so good: ENO’s Partenope reviewed

25 March 2017 9:00 am

Ceci n’est pas une Partenope. Forget the warring classical kingdoms of Naples and Cumae: this is surrealist Paris in the…

Nothing could prepare me for so deep an abyss of idiocy: Royal Opera’s Die Meistersinger reviewed

18 March 2017 9:00 am

I don’t think that I have left a theatre many times feeling as depressed and irritated as after the Royal…

Cold comfort: Zach Roberts in Rory Kinnear’s ‘The Winter’s Tale’ at ENO

Only Mozart could have done this play justice: The Winter’s Tale at the ENO reviewed

4 March 2017 9:00 am

Why set a supremely great play to music? The Winter’s Tale, the play of Shakespeare’s that I love most, has…

Doing a disservice to a lovely opera: Angela Gheorghiu as Adriana Lecouvreur

The opera conductor who’s marginally less popular than Donald Trump

18 February 2017 9:00 am

The story so far: in 1986 English National Opera hired Jonathan Miller to direct Gilbert and Sullivan’s The Mikado. The…

A memorable evening, though not one I’d want to repeat: Le grand macabre reviewed

21 January 2017 9:00 am

The Barbican website warns us that Ligeti’s opera Le grand macabre ‘contains very strong language and adult themes’. The strong…

Does Radio 3 really need to tiptoe around every controversy?

21 January 2017 9:00 am

This week the Southbank Centre began its ‘Belief and Beyond Belief’ festival — a series of concerts and talks claiming…

Has the subtlety of a howitzer: Royal Opera’s Der Rosenkavalier reviewed

7 January 2017 9:00 am

In Joseph Roth’s The Radetzky March, the ageing Emperor Franz Joseph regrets the drab field-grey that has replaced his army’s…

Sweet and sour: Ylva Kihlberg as the Marschallin and Helen Sherman as Octavian in Opera North’s ‘Rosenkavalier’

Is Opera North’s Rosenkavalier’s worth seeing? Certainly. Worth hearing? That’s trickier

15 October 2016 9:00 am

Shiny swags of gold cloth hang in front of the curtain before David McVicar’s production of Der Rosenkavalier, and that’s…

Bears only a passing resemblance to Mozart's opera: ENO's Don Giovanni reviewed

8 October 2016 9:00 am

Richard Jones’s new production of Don Giovanni at ENO bears some passing resemblances to the opera as envisaged by its…

Not so Super Mario: Vito Priante as Figaro in ‘Il barbiere di Siviglia’ at the Royal Opera House

Near-ideal première from our boldest opera company: WNO’s Merchant of Venice reviewed

24 September 2016 9:00 am

Alas, poor André Tchaikowsky. A survivor of the Warsaw Ghetto, with an assumed name that probably did his musical career…

A thrilling production: Opera Holland Park’s Queen of Spades reviewed

20 August 2016 9:00 am

Tchaikovsky’s The Queen of Spades is probably his greatest opera, certainly the one in which his characteristic strengths are on…

Stuart Skelton (Tristan) and Heidi Melton (Isolde) in Anish Kapoor’s volcano

A lethally perverse production: ENO's Tristan and Isolde reviewed

18 June 2016 9:00 am

It is at the Coliseum that I have seen the most wonderful Tristan and Isoldes of my life, both of…

Scottish Opera could have a hit on its hands with this new Mikado

14 May 2016 9:00 am

You have to be quite silly to take Gilbert and Sullivan seriously. But even sillier not to. G&S is still…

Glenn Close as Norma Desmond in ‘Sunset Boulevard’

I didn’t enjoy it but I couldn’t help loving it: Sunset Boulevard reviewed

9 April 2016 9:00 am

Sunset Boulevard is a tale of fractured glory with Homeric dimensions. The movie presents Hollywood as a never-ending Trojan War…

Naked ambition: Anthony Roth Costanzo in Philip Glass’s ‘Akhnaten’

In a world full of zombie new operas, thank god for Philip Glass’s Akhnaten

12 March 2016 9:00 am

A mixed year so far for new opera. A few really dismal things have appeared from people who should know…

Choristers from the English National Opera (Photo: Getty)

ENO must go

27 February 2016 9:00 am

Last week Darren Henley, chief executive of Arts Council England, revealed that opera receives just under a fifth of the…

Norma at the ENO (Photo: Alastair Muir)

Long live ENO!

27 February 2016 9:00 am

The three most moving, transporting death scenes in 19th-century opera all involve the respective heroines mounting a funeral pyre —…

What does it take to have someone declared dead? £480, for a start

13 February 2016 9:00 am

Matters of life and death Lord Lucan is now officially presumed dead. How do you have someone declared dead? In…

World-weary rather than carefree: Peter Coleman-Wright as Papageno

Life-enhancing achievement: ENO's Magic Flute reviewed

13 February 2016 9:00 am

Centre stage, there’s an industrial-looking black platform, secured by cables. The Three Ladies snap the unconscious Tamino on a mobile…

Anna Devin as Alcina and Nick Pritchard as Ruggiero in ‘La Liberazione di Ruggiero’ at Brighton Early Music Festival

Has there ever been a better time to be a lover of Baroque opera?

28 November 2015 9:00 am

Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…

ENO’s production of ‘The Force of Destiny’ has a large, fidgety set and a projection of a vast horse’s head

That Force of Destiny isn’t a great evening is the fault of Verdi not ENO

14 November 2015 9:00 am

The Force of Destiny, ENO’s latest offering to its ‘stakeholders’, as its audiences are now called thanks to Cressida Pollock,…

Please let's have more musicals like this Kiss Me, Kate at Opera North

10 October 2015 9:00 am

Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…

ENO’s Queen of Spades: I wanted to grab David Alden’s production by the neck and shake out its silly clutter

13 June 2015 9:00 am

The opera director David Alden has never been one to tread the straight and narrow. Something kinky would emerge, I’m…