Eno

A woman-child of dangerous assurance: Allison Cook as Salome in Adena Jacobs’s new production for English National Opera. [Catherine Ashmore]

A fascinating failure, but a failure nonetheless: ENO’s Salome reviewed

6 October 2018 9:00 am

Yes, Oscar Wilde never wrote it. No, Strauss didn’t intend it. In fact, the composer famously demanded the Dance of…

Chorus of approval: the ENO chorus gives it the full Broadway, triple threats to a man, in Benjamin Britten’s Paul Bunyan (Photo: Genevieve Girling)

Often baffling but ultimately entertaining: Britten’s Paul Bunyan reviewed

15 September 2018 9:00 am

‘I feel I have learned lots about what not to write for the theatre…’ There’s a prevailing idea that the…

Sexy hints of affluence with top notes of fascism: Grange Park’s Roméo et Juliette reviewed

30 June 2018 9:00 am

Patrick Mason’s new production of Gounod’s Roméo et Juliette reminded me of something, but it took a while to work…

OPERA
The ENO Chorus in Acis and Galatea. Photo: Dani Harvey

A fun evening that finished early enough for dinner – neither a given in Handel

23 June 2018 9:00 am

On a sward of AstroTurf somewhere off Silicon Roundabout, Mountain Media is hosting its summer party and, well, it’s the…

A mischievous, daring production that produces the goods: Iolanthe reviewed

24 February 2018 9:00 am

‘Welcome to our hearts again, Iolanthe!’ sings the fairy chorus in Gilbert and Sullivan’s fantasy-satire, and during this exuberant new…

Excellent but there’s too much larking about: ENO’s Rodelinda reviewed

4 November 2017 9:00 am

ENO has revived Richard Jones’s production of Handel’s Rodelinda. It was warmly greeted on its first outing in 2014, though…

Opera North’s Cavalleria rusticana is the ideal opera to take a young Corbynista to

7 October 2017 9:00 am

Did you know that they used to make the Fiat 126 in the Eastern bloc? They did, apparently. There was…

Slyly surreal: Christopher Alden’s Partenope at ENO

Denial has rarely looked so good: ENO’s Partenope reviewed

25 March 2017 9:00 am

Ceci n’est pas une Partenope. Forget the warring classical kingdoms of Naples and Cumae: this is surrealist Paris in the…

Nothing could prepare me for so deep an abyss of idiocy: Royal Opera’s Die Meistersinger reviewed

18 March 2017 9:00 am

I don’t think that I have left a theatre many times feeling as depressed and irritated as after the Royal…

Cold comfort: Zach Roberts in Rory Kinnear’s ‘The Winter’s Tale’ at ENO

Only Mozart could have done this play justice: The Winter’s Tale at the ENO reviewed

4 March 2017 9:00 am

Why set a supremely great play to music? The Winter’s Tale, the play of Shakespeare’s that I love most, has…

Doing a disservice to a lovely opera: Angela Gheorghiu as Adriana Lecouvreur

The opera conductor who’s marginally less popular than Donald Trump

18 February 2017 9:00 am

The story so far: in 1986 English National Opera hired Jonathan Miller to direct Gilbert and Sullivan’s The Mikado. The…

A memorable evening, though not one I’d want to repeat: Le grand macabre reviewed

21 January 2017 9:00 am

The Barbican website warns us that Ligeti’s opera Le grand macabre ‘contains very strong language and adult themes’. The strong…

Does Radio 3 really need to tiptoe around every controversy?

21 January 2017 9:00 am

This week the Southbank Centre began its ‘Belief and Beyond Belief’ festival — a series of concerts and talks claiming…

Has the subtlety of a howitzer: Royal Opera’s Der Rosenkavalier reviewed

7 January 2017 9:00 am

In Joseph Roth’s The Radetzky March, the ageing Emperor Franz Joseph regrets the drab field-grey that has replaced his army’s…

Sweet and sour: Ylva Kihlberg as the Marschallin and Helen Sherman as Octavian in Opera North’s ‘Rosenkavalier’

Is Opera North’s Rosenkavalier’s worth seeing? Certainly. Worth hearing? That’s trickier

15 October 2016 9:00 am

Shiny swags of gold cloth hang in front of the curtain before David McVicar’s production of Der Rosenkavalier, and that’s…

Bears only a passing resemblance to Mozart's opera: ENO's Don Giovanni reviewed

8 October 2016 9:00 am

Richard Jones’s new production of Don Giovanni at ENO bears some passing resemblances to the opera as envisaged by its…

Not so Super Mario: Vito Priante as Figaro in ‘Il barbiere di Siviglia’ at the Royal Opera House

Near-ideal première from our boldest opera company: WNO’s Merchant of Venice reviewed

24 September 2016 9:00 am

Alas, poor André Tchaikowsky. A survivor of the Warsaw Ghetto, with an assumed name that probably did his musical career…

A thrilling production: Opera Holland Park’s Queen of Spades reviewed

20 August 2016 9:00 am

Tchaikovsky’s The Queen of Spades is probably his greatest opera, certainly the one in which his characteristic strengths are on…

Stuart Skelton (Tristan) and Heidi Melton (Isolde) in Anish Kapoor’s volcano

A lethally perverse production: ENO's Tristan and Isolde reviewed

18 June 2016 9:00 am

It is at the Coliseum that I have seen the most wonderful Tristan and Isoldes of my life, both of…

Scottish Opera could have a hit on its hands with this new Mikado

14 May 2016 9:00 am

You have to be quite silly to take Gilbert and Sullivan seriously. But even sillier not to. G&S is still…

Glenn Close as Norma Desmond in ‘Sunset Boulevard’

I didn’t enjoy it but I couldn’t help loving it: Sunset Boulevard reviewed

9 April 2016 9:00 am

Sunset Boulevard is a tale of fractured glory with Homeric dimensions. The movie presents Hollywood as a never-ending Trojan War…

Naked ambition: Anthony Roth Costanzo in Philip Glass’s ‘Akhnaten’

In a world full of zombie new operas, thank god for Philip Glass’s Akhnaten

12 March 2016 9:00 am

A mixed year so far for new opera. A few really dismal things have appeared from people who should know…

Choristers from the English National Opera (Photo: Getty)

ENO must go

27 February 2016 9:00 am

Last week Darren Henley, chief executive of Arts Council England, revealed that opera receives just under a fifth of the…

Norma at the ENO (Photo: Alastair Muir)

Long live ENO!

27 February 2016 9:00 am

The three most moving, transporting death scenes in 19th-century opera all involve the respective heroines mounting a funeral pyre —…

What does it take to have someone declared dead? £480, for a start

13 February 2016 9:00 am

Matters of life and death Lord Lucan is now officially presumed dead. How do you have someone declared dead? In…