Michael Tanner

Sinking the unsinkable

Garrick Ohlsson’s Brahms recital verged on being too much of a good thing, making one wonder how good the thing is

issue 09 March 2019

Garrick Ohlsson is one of the finest pianists of his generation. Why, then, was the Wigmore Hall not much more than half full for his recital last week? Brahms.

Ohlsson is at present touring with four programmes, all Brahms’s solo piano music. He treated us mainly to solid chunks, though he ended with the enchanting and almost light-hearted Paganini Variations, fiendish for Ohlsson but enlivening for us.

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