Giannandrea Poesio

European postmodern dance can be just as boring as American postmodern dance

No amount of mime, dance, acrobatics or contortionism can hide the fact that Tabac Rouge at Sadler’s Wells Theatre has no central idea

An upmarket panto with top-quality jokes and strong tunes: Jordy, Simon and Louis [Getty Images/Shutterstock/iStock/Alamy]

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in