Pompeo Batoni 1708–1787
National Gallery, until 18 May
The first impression offered by the Batoni exhibition in the Sainsbury Wing is one of dullness. I tend to do a quick reconnaissance of any show before starting the serious work of looking in detail, in order to gauge its range and extent, and my initial response was not optimistic.
Disagree with half of it, enjoy reading all of it
TRY A MONTH FREE
Our magazine articles are for subscribers only. Try a month of Britain’s best writing, absolutely free.
Already a subscriber? Log in
Comments
Join the debate, free for a month
Be part of the conversation with other Spectator readers by getting your first month free.
UNLOCK ACCESS Try a month freeAlready a subscriber? Log in