A friend of mine who commissions book reviews has added a sub-category to the list of titles coming up: ‘femtrend’, books about the female condition from a feminist perspective. ‘Grit lit is over,’ she says wearily, referring to edgy books about the marginalised. ‘Now publishers can’t get enough of the feminist trend about women who for centuries have been airbrushed out of history by toxic masculinity and oppressive patriarchy. Airbrushing the toxic white male. Female tribes. Modern courtesan. Now it’s draining down into children’s books too.’
It started with Good Night Stories for Rebel Girls, a collection of accounts of inspirational role models; Malala, Maya Angelou et al, which was bought by Penguin Random House and became last year’s surprise publishing sensation. It was immediately apparent to me that what I was looking at was the contemporary version of the saint stories I had as a child: modern hagiography, intended to inculcate devotion and imitation.
Every bookshop has its own feminist shrine: a selection of books commemorating important women — Great Women Who Changed the World; Fantastically Great Women Who Made History; Rosie Revere, Engineer; Women in Sport; Rebel Voices — The Rise of Votes for Women; I Know a Woman — The Inspiring Connections Between the Women Who Have Shaped Our World. To some extent this is fine, given this is the centenary of female suffrage. But it’s still groupthink in book form. See the promotional board with a picture of a feisty tot in a headscarf, her biceps curled, saying: ‘We can do it.’ The motto is: books to inspire the next generation of amazing women.
The quintessence of the genre is, as you’d expect, Chelsea Clinton’s latest: She Persisted, Around the World: 13 Women Who Changed History.

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