It’s the usual old muddle. You take a Shakespeare classic and you time-travel it to an alien century, usually the present one, which has no connection with its historic setting. The plan, we’re always told, is to generate that supremely irrelevant attribute, ‘relevance’.
Director Dominic Cooke has fast-forwarded The Comedy of Errors to modern London and I have to confess it works extremely well.
Already a subscriber? Log in
Keep reading with a free trial
Get your first month free when you subscribe. After that it’s just £1 a week for full website and app access. There’s no commitment, you can cancel any time.
Offer ends in:
${days} days ${hours} hrs ${minutes} mins ${seconds} secs
Or
Comments
Flash sale:
10 weeks of unlimited digital access for £1
Join the conversation with other Spectator readers. Subscribe to leave a comment.
CLAIM OFFERGet 10 weeks of online and app access for just £1. That's a saving of more than 80% off the usual rate.
Already a subscriber? Log in