There is a (possibly apocryphal) story about William Morris, where he spends most of his time in Paris inside the Eiffel Tower’s restaurant because ‘that is the only place where you can’t see the damned thing’. Aviva Studios risks a similar fate. Designed by architects OMA as the permanent performance venue for the Manchester International Festival and headquarters for its organisers, Factory International, it’s been savaged by critics and citizens alike for its ugliness.
Disagree with half of it, enjoy reading all of it
TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view
Already a subscriber? Log in
Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in