Stuart Jeffries

Has VR finally come of age?

VR ‘immersion’ is everywhere in London this autumn, but is it of any value?

Stuart Jeffries immersed in Darren Emerson’s VR film Letters from Drancy at the London Film Festival. Credit: Millie Turner
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A heavily made-up Iranian woman in bra and knickers is dancing seductively before me. We’re in some vast warehouse, and she’s swaying barefoot. But then I look around. All the other men here are in military uniforms and leaning against walls or sitting at desks, smoking and looking at her impassively.

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