Poulenc’s La voix humaine is a brief, powerful piece, and it’s a matter for gratitude that Opera North has staged a new production of it. It’s a matter for ingratitude, though, that it’s been put on by itself: not just because at 45 minutes it makes for a short evening, but because it would have been so satisfying to couple it with Poulenc’s first opera, Les mamelles de Tirésias, which is only slightly longer, and which is even less well known.

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