In 1977, when I set up the South Bank Show for ITV, I wanted Paul McCartney to be on the first programme. His unique talent apart, I thought he would be the key to unlocking one of my chief aims in the new programme, which was to disrupt the accepted order of play in which classical music, ballet and opera were at the top of the pyramid while down at the bottom was pop music.

Disagree with half of it, enjoy reading all of it
TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view
Already a subscriber? Log in
Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in