Lynette Linton opens her stewardship of the Bush with a drama about racial and sexual bigotry. Four British women decide to start a girl band but only one of them, Yomi, happens to be straight. The script mixes confessional monologues with bitchy interactions over kitchen suppers.
Beth, whose parents are West Indian, once dreamed of living in suburban bliss with ‘a little concrete garage for my car’.
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