Twenty years ago Clive James’s poetry represented all that I most disliked about contemporary Englit. For a start it was practically ubiquitous. Barely had one laid down the Christmas number of the London Review of Books containing a lengthy Jamesian summary of the bygone year, it seemed, than one walked into a bookshop to find a remaindered copy of Charles Charming’s Challenges winking at one from the bargain bin.

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