Deborah Ross

Intensely powerful: Herself reviewed

Phyllida Lloyd's latest could have been horrible. It could have been Seabiscuit, with joists and concrete mixers. But it's far from some cheesy, feelgood monstrosity

True, some of the secondary characters are barely drawn, but Clare Dunne’s performance is extraordinary

Already a subscriber? Log in

Keep reading for free

Subscribe today to get 3 months’ free digital access.

  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828
  • Plus, three months’ free digital access to the Telegraph

Comments

Join the debate for free — this month only

This month, be part of the conversation with other Spectator readers by getting your first three months for free. We’ll also give you three months’ free digital access to the Telegraph.

Already a subscriber? Log in