Too often, I go to South African theatre with a sense of foreboding: I anticipate something overwrought, tendentious, poorly acted and emotionally exploitative. So I arrived at the Hampstead Theatre last week without high expectations. The play, A Human Being Died That Night, was based on the book written by the psychologist Pumla Gobodo-Madikizela, who conducted interviews with Eugene de Kock, the most notorious of the appalling state-sponsored killers of the apartheid era.
Disagree with half of it, enjoy reading all of it
TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view
Already a subscriber? Log in
Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in