When Keith Warner’s production of Berg’s Wozzeck was first produced at the Royal Opera, nine years ago, it made me more angry than any that I had ever seen. At its first revival in 2006, my response was milder, though still outraged. Now, on its third outing, I mind it even less, partly because the musical performance is so strong.
Michael Tanner
Keith Warner’s Wozzeck doesn’t make me as angry as it used to
The latest revival of Berg's opera at the ROH is buoyed by a strong musical performance
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